Artist
Soledad Salamé(Chilean, born 1954)Chilean, born 1954
CultureChilean
Titles
- Water Vases
- from the series Newspaper, Almost Transparent
Date2019
MediumEngraved and sandblasted folded glass with articulated shadow projection print, edition 1/3
Dimensions12 3/16 × 16 13/16 × 1 1/8 in. (31 × 42.7 × 2.9 cm)
Credit LineMuseum purchase funded by the Latin Maecenas
Object number2023.201.A-.C
Not on view
Explore Further
Department
Latin American ArtObject Type
Exhibition HistorySoledad Salamé, We the Migrants: Flooding Fleeing. Goya Contemporary Gallery, Baltimore, September 15 – October 26, 2019.
Soledad Salamé: Forced by Nature. TransArt Foundation for Art and Anthropology, Houston, September 17, 2021 – March 27, 2022.
Inscriptions, Signatures and Marks
Front: Newspaper headline engraved, upper center: The NEW YORKER / How Climate Change is / fueling the U.S. Border / Crisis
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Cataloguing data may change with further research.
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Soledad Salamé
2019
Engraved and sandblasted folded glass with articulated shadow projection print, edition 1/2
2023.202.A-.C
Soledad Salamé
2019
Engraved and sandblasted folded glass with articulated shadow projection print, edition 1/2
2023.200.A-.C
Steve McQueen
2012–ongoing
Sequence of digitally scanned files, sound, continuous single or two-channel projection, edition 3/4 + 2 AP
2018.642
José Alejandro Restrepo
1992
Three-channel video installation with sound, edition 3/3 + 1 AP
2013.186
Luis Camnitzer
1987
.A: Porcelain, stainless steel, unknown casting resin, unknown dye, silicone adhesive, wood, brass.
B: Engraved brass, two brass-headed picture hanging nails
2016.102.A,.B
Dixie Friend Gay
1996
Acrylic on wood with sandblasted glass and rusted steel
2000.58.A-.D
Marta Minujín
1985, printed 2010
Series of three digital C-prints registering a 12 shoot performance, edition 3/3 + AP
2022.192.1-.3