M3X3
Artist
Analivia Cordeiro(Brazilian, born 1954)Brazilian, born 1954
CultureBrazilian
Titles
- M3X3
Date1973
MediumVideo, edition 6/8 + 3 AP
Dimensions9 minutes, 53 seconds
Credit LineMuseum purchase funded by the 2022 Latin American Experience Gala and Auction
Object number2022.328
Current Location
The Nancy and Rich Kinder Building
Gallery 204
On view
Explore Further
Department
Latin American ArtObject Type
Published References As Cordeiro has gone significantly undervalued and underrepresented throughout her career, there are only a handful of publications that address her work: Cavalucci, Fabio. La fine del mondo/The End of the World. Milan: Silvana Editoriale, 2016. Fajardo-Hill, Cecilia, and Andrea Giunta. Radical Women: Latin American Art, 1960-1985. Los Angeles/Munich: DelMonico Books/Prestel, 2017. Tracy, Martin J. “Computer Dance, TV Dance, Analivia Cordeiro.” Dance Research Journal, 8 (1976) 40. Tracy, Martin, Jeanne Beamann, Maria Duschenes, and John Lansdown. Human Motion: Impression, Expression, Analivia Cordeiro. Frankfurt: Galerie Anita Beckers, 2016. Inscriptions, Signatures and Marks
N/A
N/A
Catalogue raisonnéN/A
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
José Alejandro Restrepo
1992
Three-channel video installation with sound, edition 3/3 + 1 AP
2013.186
Miguel Ángel Ríos
2012
Single-channel video, edition 3/6
2015.69
William Kentridge
2020
Single channel video with stereo audio, edition 5/9 + 3 AP
Editing by Janus Fouché
Music: “Imimoya (Spirits),” composed by Nhlanhla Mahlangu; “Works for Prepared Piano,” composed by John Cage, performed by Markus Hinterhäuser
2020.558
