Francisco de Goya
El sueño de la razon produce monstruos (The sleep of reason produces monsters)

El sueño de la razon produce monstruos (The sleep of reason produces monsters)

Public Domain

El sueño de la razon produce monstruos (The sleep of reason produces monsters)
ArtistSpanish, 1746–1828
CultureSpanish
Titles
  • El sueño de la razon produce monstruos (The sleep of reason produces monsters)
  • Plate 43 from the series Los Caprichos
Date1799
MediumEtching and aquatint printed in grayish-black ink on laid paper with deckle edges, 1st edition
DimensionsPlate: 8 5/16 × 5 13/16 in. (21.1 × 14.8 cm)
 Sheet: 12 1/2 × 8 1/4 in. (31.7 × 21 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment
Object number2022.284
Not on view

Explore Further

Department
Prints and Drawings
Object Type
ProvenancePrivate collection; [Susan Schulman Fine Art, New York, as of 2022]; purchased by the MFAH, 2022.
Exhibition HistoryNone known for this impression
Inscriptions, Signatures and Marks
Recto: Titled, in plate, bottom left corner: El sueño / de la razon / produce / monstruos.
Recto: Numbered in black printed ink, in plate, right top edge: 43.
Verso: [none]
[none]
Watermark: None
Catalogue raisonnéHarris 078, III, 1; Delteil 080; GW 0536

Cataloguing data may change with further research.

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The Sleep of Reason Produces Monsters (Africa)
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Overall recto
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Están calientes (They are hot), Plate 13
1799
Etching, aquatint and burnishing on laid paper, from the 1st published edition
2021.86
With or without reason (Con razon ó sin ella) from the series The Disasters of War (Los Desastres de la Guerra)
Francisco de Goya
With or without reason (Con razon ó sin ella) from the series The Disasters of War (Los Desastres de la Guerra)
1810–1820/1863
Etching with aquatint
BF.1979.14
A Phantasmogoria; – Scene – Conjuring-up an Armed-Skeleton.
James Gillray
A Phantasmogoria; – Scene – Conjuring-up an Armed-Skeleton.
January 5,1803
Hand-colored etching and aquatint on wove paper with secondary support on all edges
74.237
The face in repose of a young man who appears later photographs showing facial expressions produces both naturally and electrophysiologically.
Guillaume Duchenne de Boulogne
The face in repose of a young man who appears later photographs showing facial expressions produces both naturally and electrophysiologically.
1854–1856, printed 1862
Albumen silver print from glass negative
2015.33
The face in repose of a young man who appears later photographs showing facial expressions produces both naturally and electrophysiologically.
Guillaume Duchenne de Boulogne
The face in repose of a young man who appears later photographs showing facial expressions produces both naturally and electrophysiologically.
1854–1856, printed 1862
Albumen silver print from glass negative
2015.32.B
El Vergonzoso (The shamefaced one)
Francisco de Goya
El Vergonzoso (The shamefaced one)
1799
Etching and aquatint on laid paper
2023.139
El buitre carnívoro (The carnivorous vulture) from the series Los Desastres de la Guerra (Disasters of War)
Francisco de Goya
El buitre carnívoro (The carnivorous vulture) from the series Los Desastres de la Guerra (Disasters of War)
Published 1863
Aquatint on paper
BF.1979.98
No saben el camino (They don't know the way) from the series Los Desastres de la Guerra (Disasters of War)
Francisco de Goya
No saben el camino (They don't know the way) from the series Los Desastres de la Guerra (Disasters of War)
Published 1863
Aquatint on paper
BF.1979.92
Contra el bien general (Against the common good) from the series Los Desastres de la Guerra (Disasters of War)
Francisco de Goya
Contra el bien general (Against the common good) from the series Los Desastres de la Guerra (Disasters of War)
Published 1863
Aquatint on paper
BF.1979.93
The way is hard! (Duro es el paso!) from the series Disasters of War (Desastres de la Guerra)
Francisco de Goya
The way is hard! (Duro es el paso!) from the series Disasters of War (Desastres de la Guerra)
Published 1863
Aquatint on paper
BF.1979.36
Hasta la muerte (Until Death), Plate 55
Francisco de Goya
Hasta la muerte (Until Death), Plate 55
published 1799, first edition
Etching, aquatint with burnishing, and drypoint on laid paper
80.44