John Constable
Illustration to Stanza XI of Grey’s Elegy, ‘Can storied urn or animated bust/ Back to its mansion call the fleeting breath?'

Illustration to Stanza XI of Grey’s Elegy, ‘Can storied urn or animated bust/ Back to its mansion call the fleeting breath?'

Public Domain

Illustration to Stanza XI of Grey’s Elegy, ‘Can storied urn or animated bust/ Back to its mansion call the fleeting breath?'
ArtistBritish, 1776–1837
CultureBritish
Titles
  • Illustration to Stanza XI of Grey’s Elegy, ‘Can storied urn or animated bust/ Back to its mansion call the fleeting breath?'
Date1833–1835
MediumWatercolor on wove paper
DimensionsSheet (approximate): 4 3/4 × 6 9/16 in. (12 × 16.6 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in honor of Halbert Stuart Koelsch
Object number2022.83
Not on view

Explore Further

Department
Prints and Drawings
Special Collections
Object Type
ProvenanceThe artist, 1833–1835; Private collection, England; [Yarker-Libson Fine Art Ltd, London, as of 2022]; purchased by MFAH, 2022.
Exhibition HistoryN/A
Inscriptions, Signatures and Marks
Verso: Signed: John Constable RA
None visible
Catalogue raisonnéReynolds (however this watercolor was not known to Reynolds)
View this object in The Stuart Collection

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Illustration to Stanza V of Grey’s Elegy, ‘The breezy call of incense-breathing Morn/ The swallow twitt’ring from the straw-built shed’
John Constable
Illustration to Stanza V of Grey’s Elegy, ‘The breezy call of incense-breathing Morn/ The swallow twitt’ring from the straw-built shed’
1833–1835
Watercolor on wove paper
2022.82
Illustration to Stanza III of Grey’s Elegy, ‘Save that, from yonder ivy-mantled tower/ The moping owl doth to the moon complain’
John Constable
Illustration to Stanza III of Grey’s Elegy, ‘Save that, from yonder ivy-mantled tower/ The moping owl doth to the moon complain’
1833–1835
Watercolor on wove paper
2022.81
Four works by John Constable
John Constable
Four works by John Constable
1833–1835
2022.81-.83: Watercolor on wove paper 2022.84: ink on wove paper
2022.81-.84
The Tomb of James Gubbins, Epsom Churchyard
John Constable
The Tomb of James Gubbins, Epsom Churchyard
1816
Graphite on wove paper
2022.59
Coal Brigs and Fishing Vessels on the Beach at Brighton
John Constable
Coal Brigs and Fishing Vessels on the Beach at Brighton
1824
Graphite on wove paper
2015.551
The storied Sea of Galilee and its wall of hills; N. over Tiberias on West bank, Palestine.
Keystone View Company
The storied Sea of Galilee and its wall of hills; N. over Tiberias on West bank, Palestine.
c. 1914
Gelatin silver stereograph
2004.1220.79
Women XI
Alexander Archipenko
Women XI
c. 1921–1923
Watercolor and graphite on wove paper
2009.1347
A letter addressed to John Martin, dated 9th July 1835, containing a drawing of Stoke Poges church
John Constable
A letter addressed to John Martin, dated 9th July 1835, containing a drawing of Stoke Poges church
1835
Ink on wove paper
2022.84
Image Not Available for "The Message Mayor Hall Ought to Have Sent / After Sedan - Wilhelmshohe / Can the Body Cast Off Its Shadow? / Little Johnny ...
Thomas Nast
"The Message Mayor Hall Ought to Have Sent / After Sedan - Wilhelmshohe / Can the Body Cast Off Its Shadow? / Little Johnny ...
1872
Wood engraving on newsprint
89.550.1
One of the huge logistics compounds at Camp Leatherneck. A modern, technologized army needs hundreds of thousands of different kinds of objects in order to keep it working. A $100m warplane can be grounded for the want of a $1 part. Supplying these things is a huge drain on an army’s resources and its greatest vulnerability.
Simon Norfolk
One of the huge logistics compounds at Camp Leatherneck. A modern, technologized army needs hundreds of thousands of different kinds of objects in order to keep it working. A $100m warplane can be grounded for the want of a $1 part. Supplying these things is a huge drain on an army’s resources and its greatest vulnerability.
2010–2011, printed September 2011
Chromogenic print
2016.224.90
Provided
M
On Its Way Out
2007
Ink with graphite on wove paper
2021.177
The Artist's Daughter
John Constable
The Artist's Daughter
no date
Oil on board
50.3