Francisco de Goya
Nadie nos ha visto. (No one has seen us)

Nadie nos ha visto. (No one has seen us)

Public Domain

Nadie nos ha visto. (No one has seen us)
ArtistSpanish, 1746–1828
CultureSpanish
Titles
  • Nadie nos ha visto. (No one has seen us)
  • Caprichos
Date1799
MediumEtching and burnished aquatint with engraving on laid paper
DimensionsPlate: 8 3/8 × 5 7/8 in. (21.3 × 15 cm)
 Sheet: 11 11/16 × 7 9/16 in. (29.7 × 19.2 cm)
Credit LineMuseum purchase funded by the Marjorie G. and Evan C. Horning Print Endowment
Object number2023.140
Not on view

Explore Further

Department
Prints and Drawings
Object Type
Provenance[Susan Schulman Fine Art, New York, as of 2021]; purchased by MFAH, 2022.
Inscriptions, Signatures and Marks
Lettered with title and plate number on plate, top right corner and center bottom edge: 79; Nadie nos ha visto [cursive]
Catalogue raisonnéBlas, Matilla & Medrano 1999, no. 79; Harris 114 III 1; Delteil 116; Pérez Sánchez Gállego 79; Gassier and Wilson 611

Cataloguing data may change with further research.

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The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14
Francisco de Goya
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14
1814–1816
Etching with burnished aquatint and engraving on laid paper
81.167
Murió la verdad (Truth has died) from the series Los Desastres de la Guerra (Disasters of War)
Francisco de Goya
Murió la verdad (Truth has died) from the series Los Desastres de la Guerra (Disasters of War)
Published 1863
Aquatint on paper
BF.1979.101
El Vergonzoso (The shamefaced one)
Francisco de Goya
El Vergonzoso (The shamefaced one)
1799
Etching and aquatint on laid paper
2023.139
The Cid Campeador Attacking a Bull with His Lance, Plate 11
Francisco de Goya
The Cid Campeador Attacking a Bull with His Lance, Plate 11
1814–1816
Etching and aquatint with engraving on laid paper
81.168
Overall recto
Francisco de Goya
Están calientes (They are hot), Plate 13
1799
Etching, aquatint and burnishing on laid paper, from the 1st published edition
2021.86
El sueño de la razon produce monstruos (The sleep of reason produces monsters)
Francisco de Goya
El sueño de la razon produce monstruos (The sleep of reason produces monsters)
1799
Etching and aquatint printed in grayish-black ink on laid paper with deckle edges, 1st edition
2022.284
Hasta la muerte (Until Death), Plate 55
Francisco de Goya
Hasta la muerte (Until Death), Plate 55
published 1799, first edition
Etching, aquatint with burnishing, and drypoint on laid paper
80.44
¿Si sabra más el discípulo? (Might the pupil know more?), Plate 37
Francisco de Goya
¿Si sabra más el discípulo? (Might the pupil know more?), Plate 37
first published 1799
Etching and aquatint
93.175
One cannot look at this (No se puede mirar) from the series the Disasters of War (Desastres de la Guerra)
Francisco de Goya
One cannot look at this (No se puede mirar) from the series the Disasters of War (Desastres de la Guerra)
1810–1820/1863
Etching with aquatint
BF.1979.48
No hay quien los socorra (There is no one to help them) from the series The Disasters of War (Los Desastres de la Guerra)
Francisco de Goya
No hay quien los socorra (There is no one to help them) from the series The Disasters of War (Los Desastres de la Guerra)
Published 1863
Aquatint on paper
BF.1979.82
What more can one do? (Qué hai que hacer mas?) from the series The Disasters of War (Los Desastres de la Guerra)
Francisco de Goya
What more can one do? (Qué hai que hacer mas?) from the series The Disasters of War (Los Desastres de la Guerra)
Published 1863
Aquatint on paper
BF.1979.55
Image.
James Janíček
Prahou kráčel Ahasver (Ahasver has marched through Prague)
1991
Etching and aquatint in colors on Holland wove paper, edition 28/200
2022.364.2