Francisco de Goya
El Vergonzoso (The shamefaced one)

El Vergonzoso (The shamefaced one)

Public Domain

El Vergonzoso (The shamefaced one)
ArtistSpanish, 1746–1828
CultureSpanish
Titles
  • El Vergonzoso (The shamefaced one)
  • Los Caprichos
Date1799
MediumEtching and aquatint on laid paper
DimensionsPlate: 8 7/16 × 5 7/8 in. (21.5 × 15 cm)
 Sheet: 11 11/16 × 7 5/8 in. (29.7 × 19.4 cm)
Credit LineMuseum purchase funded by the Marjorie G. and Evan C. Horning Print Endowment
Object number2023.139
Not on view

Explore Further

Department
Prints and Drawings
Object Type
Provenance[Susan Schulman Fine Art, New York, as of 2021]; purchased by MFAH, 2022.
Exhibition HistoryNone known
Inscriptions, Signatures and Marks
El Vergonzoso: Lettered with title and plate number on plate, top right corner and center bottom edge: 54; El Vergonsozo [cursive]


None
Catalogue raisonnéEl Vergonzoso: Blas, Matilla & Medrano 1999, no. 54; Harris 89 III 1; Delteil 91; Pérez Sánchez Gállego 54; Gassier and Wilson 559

Cataloguing data may change with further research.

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Nadie nos ha visto. (No one has seen us)
Francisco de Goya
Nadie nos ha visto. (No one has seen us)
1799
Etching and burnished aquatint with engraving on laid paper
2023.140
El sueño de la razon produce monstruos (The sleep of reason produces monsters)
Francisco de Goya
El sueño de la razon produce monstruos (The sleep of reason produces monsters)
1799
Etching and aquatint printed in grayish-black ink on laid paper with deckle edges, 1st edition
2022.284
Overall recto
Francisco de Goya
Están calientes (They are hot), Plate 13
1799
Etching, aquatint and burnishing on laid paper, from the 1st published edition
2021.86
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14
Francisco de Goya
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14
1814–1816
Etching with burnished aquatint and engraving on laid paper
81.167
The Cid Campeador Attacking a Bull with His Lance, Plate 11
Francisco de Goya
The Cid Campeador Attacking a Bull with His Lance, Plate 11
1814–1816
Etching and aquatint with engraving on laid paper
81.168
Hasta la muerte (Until Death), Plate 55
Francisco de Goya
Hasta la muerte (Until Death), Plate 55
published 1799, first edition
Etching, aquatint with burnishing, and drypoint on laid paper
80.44
¿Si sabra más el discípulo? (Might the pupil know more?), Plate 37
Francisco de Goya
¿Si sabra más el discípulo? (Might the pupil know more?), Plate 37
first published 1799
Etching and aquatint
93.175
El caballo raptor (The kidnapping horse) from the series Los Proverbios (Proverbs) or Los Disparates (Follies)
Francisco de Goya
El caballo raptor (The kidnapping horse) from the series Los Proverbios (Proverbs) or Los Disparates (Follies)
c. 1816–1864
Etching and aquatint
BF.1980.12
One cannot look at this (No se puede mirar) from the series the Disasters of War (Desastres de la Guerra)
Francisco de Goya
One cannot look at this (No se puede mirar) from the series the Disasters of War (Desastres de la Guerra)
1810–1820/1863
Etching with aquatint
BF.1979.48
El buitre carnívoro (The carnivorous vulture) from the series Los Desastres de la Guerra (Disasters of War)
Francisco de Goya
El buitre carnívoro (The carnivorous vulture) from the series Los Desastres de la Guerra (Disasters of War)
Published 1863
Aquatint on paper
BF.1979.98
No saben el camino (They don't know the way) from the series Los Desastres de la Guerra (Disasters of War)
Francisco de Goya
No saben el camino (They don't know the way) from the series Los Desastres de la Guerra (Disasters of War)
Published 1863
Aquatint on paper
BF.1979.92
Contra el bien general (Against the common good) from the series Los Desastres de la Guerra (Disasters of War)
Francisco de Goya
Contra el bien general (Against the common good) from the series Los Desastres de la Guerra (Disasters of War)
Published 1863
Aquatint on paper
BF.1979.93