William Roxburgh
Company School Painting of Marus mauritiana

CultureIndian
Titles
  • Company School Painting of Marus mauritiana
Datec. 1812–1814
Made inKolkata, India
MediumGraphite, ink, and watercolor on wove paper
DimensionsImage: 6 15/16 × 4 7/8 in. (17.7 × 12.4 cm)
Sheet: 9 5/16 × 6 3/4 in. (23.6 × 17.2 cm)
Credit LineGift of Edward and Kendall Ondarza
Object number2021.524
Not on view

Explore Further

Department
Asian Art
ProvenanceAcquired by the Massachusetts Horticultural Society, 1893 [1]; [Christie’s, New York, December 17, 2002 (complete 3 volumes)]; [Arader and Co., New York, 2002–2019]; Edward and Kendall Ondarza, Houston, 2019–2021; given to MFAH, 2021.

[1] The Botanical Studies are probably after William Roxburgh (1751-1815), considered the father of Indian botany.
Inscriptions, Signatures and Marks
Recto: Inscribed in ink, top right corner: 263
Recto: Inscribed in graphite, top right corner: [illegible]
Recto: Inscribed in graphite, lower left: Marus mauritiana [cursive]
Verso: [none]
[none]
Recto: Stamped at lower right in blue ink: M. / H. / S. [encircled]: Massachusetts Horticultural Society

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Company School Painting of Overria longifolia
William Roxburgh
c. 1812–1814
Graphite, ink, and watercolor on wove paper
2021.520
Company School Painting of Cappa trifoliata
William Roxburgh
c. 1812–1814
Graphite, ink, and watercolor on wove paper
2021.529
Landscape at Sunset [recto]; Study of a Pig [verso]
James Ward
c. 1820
Watercolor on two sheets of wove paper, mounted to thick wove paper
2024.17
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Landscape with a Farmhouse and a Peasant Wheeling a Barrow
Léon Bonvin
1865
Watercolor heightened with gouache, pen and sepia-toned ink over graphite with stumping on wove paper
96.729
Pont Cyslltau, Denbighshire [recto]; Mountainous landscape [verso]
Thomas Tudor
19th century
Black chalk and watercolor on wove paper (recto); black chalk on wove paper (verso)
2024.278.A,.B
Stage Design for Balanchine's "Liebesträume"
Frederic Stafford
c. 1931
Watercolor, pen and ink, color pencil, gouache with gold over graphite and blue ballpoint pen on wove paper
95.254
Untitled [Table-like Form, Egg-like Form]
Kenji Nakahashi
c. 1980
Colored pencil, graphite, and ink on wove paper
2019.142
Untitled
William Baziotes
c. 1944
Ink and watercolor with selectively applied gum glaze on wove paper
97.22
Cavern (Thor’s Cave, Staffordshire)
William Day
c. 1789
Watercolor and ink over graphite on laid paper, mounted on wove paper
2024.14
Looking Towards Inveraray Castle, Loch Fyne, Argyll
William Callow
September 27, 1849
Watercolor over graphite on cream wove paper
2023.501