Reinaldo Cid
Con-Tracción

Con-Tracción

© 2013 Reinaldo Cid

Con-Tracción
Con-Tracción
ArtistCuban, born 1987
CultureCuban
Titles
  • Con-Tracción
Date2013
MediumGelatin silver print
DimensionsImage: 9 15/16 × 14 1/2 in. (25.3 × 36.9 cm)
Frame (outer): 15 3/4 × 19 3/4 × 1 1/4 in. (40 × 50.2 × 3.2 cm)
Credit LineThe Madeleine P. Plonsker Collection, Gift of Madeleine and Harvey Plonsker
Object number2024.249
Current Location
The Nancy and Rich Kinder Building
Gallery 314
On view

Explore Further

Department
Photography
Object Type
Description

Cuba emerged in the 19th century as the world’s leading sugar producer and exporter, and the resulting wealth that flowed in produced a flourishing economy and sophisticated culture. Cuba boasted the first railroad in the Spanish Kingdom—a pivotal development for the sugar industry—but the sugar-based economic boom relied equally on the labor of enslaved Africans. The enslaved population—cogs in an industrial system viewed by sugar magnates as little different from their steam-powered locomotives—surged from 39,000 in the 1780s to 400,000 in the 1860s. Slavery was not abolished in Cuba until 1886.

 

Cuba llegó al siglo XIX como el principal productor y exportador de azúcar del mundo, y la riqueza resul- tante produjo una economía floreciente y una cultura sofisticada. La isla contó con el primer ferrocarril del Reino de España, crucial para la economía azucarera; sin embargo, este florecimiento se sostenía con el trabajo de africanos esclavizados. Esta población — que aumentó de 39 000 a 400 000 personas entre 1780 y 1860— era considerada por los magnates del azúcar como un engranaje más en un sistema industrial, comparable con sus locomotoras de vapor. La esclavi- tud no fue abolida en Cuba hasta 1886.


ProvenanceMadeleine and Harvey Plonsker, Glencoe, Illinois; given to MFAH, 2024.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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