Robert Motherwell
Pauillac, #4

Pauillac, #4

© Dedalus Foundation, Inc. / Licensed by VAGA at Artists Rights Society (ARS), NY

Pauillac, #4
Pauillac, #4
CultureAmerican
Titles
  • Pauillac, #4
  • from the series Summer Light
Date1973
MediumLithograph in blue on wove paper with collage of offset photolithograph in colors, torn-and-pasted color wove paper, and embossing, edition 8/54
DimensionsSheet: 36 × 18 in. (91.4 × 45.7 cm)
Frame: 39 5/8 × 22 5/8 × 1 5/16 in. (100.6 × 57.5 × 3.3 cm)
Credit LineBequest of William Woodford
Object number2020.290
Not on view

Explore Further

Object Type
ProvenanceThe artist and Gemini G.E.L., 1973; Collection of William Woodford (1939-2020), [1] by 2020; Estate of William Woodford, 2020; given to MFAH, 2020.

[1] William Woodford (1939–2020) graduated with a Bachelor of Arts in 1961 from U.T. where he was president of his fraternity Pi Kappa Alpha. He received his law degree from U.T. in 1964, having served as Associate Editor for the Texas Law Review (1963-1964) and being named a Chancellor as well as becoming a member of Phi Delta Phi. After clerking for the Hon. Joseph C. Hutcheson, Jr. for the Court of Appeals, Fifth Circuit, he joined the law firm Baker Botts in 1965 where he spent the entirety of his career, becoming a partner in 1972. A long-time member of this museum, Woodford channeled his love of the arts through his discriminating collecting and became an avid photographer, taking and developing his own prints with a particular focus on the Houston Ballet. His generous bequest also included a painting by Dorothy Hood and a number of important works to the Prints and Drawings department.

Exhibition HistoryLaguna Gloria Art Museum, Austin, Tex., Robert Motherwell: Paintings, Collages, and Prints, September 19—October 19, 1975
Inscriptions, Signatures and Marks
Recto: Signed and inscribed in graphite, lower right, below image: Motherwell 8/54
Verso: Unknown at present.
Back label: Label printed in ink and black pen, lower center: Laguna Gloria Art Museum label with tombstone information
Back label: Label printed in ink on gold, lower center (below above): Glen Rumsey & Co. framing label

Signed and editioned in graphite, below image right: Motherwell 8/54
Watermark: None known at present.

Recto: Chopmark, below matrix, bottom right corner : Gemini G.E.L. chopmark (See Fig. 6)
Recto: Chopmark, below matrix, bottom right corner : Robert Motherwell chopmark (See Fig. 6)

Catalogue raisonnéGemini 475; Belknap 122; Banach and Engberg 151

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Perpetual Summer
Robert Motherwell
1985
Aquatint and etching on wove paper with collage of torn-and-pasted aquatint and black Kozo paper, hors commerce proof, aside the edition of 26 + 7 artist’s proofs
2020.289
Robert Motherwell
1983
Collage of torn lithograph in colors on wove paper
2018.390
Untitled (#575)
Anne Ryan
c. 1948–1954
Collage of gouache on torn-and-pasted wove paper, torn-and-pasted colored wove paper and sand paper, cut and pasted Japanese paper, and thread on wove paper
79.48
Bringing in the Ghosts
Jim Hodges
2019
Cut and pasted photolithograph in colors and screenprint on kozo paper; lithograph, inkjet print and screenprint in colors and metal foils on wove paper, edition 22/28
2020.163
Sachi
Delita Pinchback Martin
2020
Reduction linoleum cut in colors on wove paper, cut-and-glued metallic paint on wove paper, cut-and-pasted block print on Japanese paper, cut-and-glued linoleum cut and embossing on wove paper; and cotton thread, edition 1/7
2021.291
Afternoon Tea
Dorothy Hood
Collage of cut and pasted color halftone print, acrylic on torn and pasted halftone print, and leaf, on acrylic on wove paper
2020.287
Illuminations #11
Dee Wolff
1980
Gouache and acrylic, with acrylic and color pencil on cut and pasted wove paper, and watercolor and acrylic on torn and pasted wove paper, on wove paper
85.14.A-.C
Near the Bay
Dorothy Hood
1982
Collage of charcoal, watercolor, and graphite on cut and pasted wove paper, torn and pasted kraft paper, metal foil, and cut and pasted wood engraving on wove paper, on four ply mat board
83.19
The Window of Formality
Dorothy Hood
c. 1982–1997
Collage of cut and pasted halftone print, torn and pasted stencil print, plastic, metal foil, and Japanese paper, on acrylic with graphite on wove paper
2020.286
The United States of Attica
Faith Ringgold
1971
Offset photolithograph in colors on wove paper, edition 00/71 to 9/71
2008.426
Phoenician Etching
Robert Motherwell
1977, published 1983
Sugar lift aquatint in colors on wove paper, edition 5/40
2020.291
Untitled
Robert Motherwell
1970
Screenprint in colors on wove paper, edition 27/250
76.233.10