End Credits

Image Not Available

Artist Steve McQueen(British, born 1969)British, born 1969

CultureBritish

Titles

End Credits

Date2012–ongoing

MediumSequence of digitally scanned files, sound, continuous single or two-channel projection, edition 3/4 + 2 AP

DimensionsVideo sequence (single version): 5 hours, 38 minutes
Video sequence (double version): 12 hours, 54 minutes
Audio sequence: 42 hours, 6 minutes, 20 seconds

Credit LinePurchased jointly by the Museum of Fine Arts Houston, funded by the Caroline Wiess Law Accessions Endowment; and the Whitney Museum of American Art, New York, funded by Elizabeth Redleaf

Object number2018.642

Not on view

Explore Further

Department

Modern and Contemporary Art

Object Type

ProvenanceThe artist; [Marian Goodman Gallery, New York]; purchased jointly by the MFAH and the Whitney Museum of American Art, 2018.
Exhibition History"Steve McQueen: Works," Art Institute of Chicago, October 21, 2012–January 6, 2013; Schaulager, Basel, Switzerland, March 16–September 1, 2013.

"The Unfinished Conversation: Encoding/Decoding," The Power Plant, Toronto, January 24–May 18, 2015; Museu Berado, Lisbon, September 21, 2016–January 1, 2017.

"Open Plan: Steve McQueen," Whitney Museum of American Art, New York, April 29–May 14, 2016.

"Steve McQueen: End Credits," Art Institute of Chicago, July 20–October 1, 2017; Perez Art Museum, Miami, November 17, 2017–March 11, 2018.

Published References Boucher, Brian. "Steve McQueen's 'End Credits' Closes Out Whitney's Open Plan Exhibitions." Artnet News (April 14, 2016). https://news.artnet.com/exhibitions/steve-mcqueen-paul-robeson-whitney-473849 Fisher, Jean, with Okwui Enwezor, Georges Didi Huberman, James Rondeau and Cameron Bailey and a conversation between Adrian Searle and Steve McQueen, “Steve McQueen: Works 1993–2012,” Basel: Schaulager/Laurenz Foundation, 2013. Fisher, Jean, with T.J. Demos, Darby English, Ute Holl, Markus Klammer, Michaela Ott and Alexandra Stäheli, "Steve McQueen: I want the screen to be a massive mirror," Basel: Schaulager/Laurenz Foundation, 2013. Hoberman, J. "Steve Mcqueen." Artforum International. 55.1 (Sept 2016): 355. Johnson, Martin. "Director Steve McQueen’s Art Project Offers a Haunting Look at the FBI Surveillance of Paul Robeson" The Root (May 4, 2016). https://www.theroot.com/director-steve-mcqueen-s-art-project-offers-a-haunting-1790855203 King, Danny. "Steve McQueen Uses FBI Files to Capture the Oppression of Surveillance." The Village Voice (May 3, 2016) Lester, Paul. "Weekend Edition: 10 Things to Do in New York’s Art World Before May 2." Observer.com (April 28, 2016). https://observer.com/2016/04/weekend-edition-10-things-to-do-in-new-yorks-art-world-before-may-2/ Nelson, Solveig, "Steve McQueen," Artforum International. (May 2013): 320-21. Pobric, Pac. "Eye Catchers: New Art Exhibits Cropping Up in NYC This Spring." The Village Voice (March 23, 2016). Rosenmeyer, Aoife, "Steve McQueen," Art in America (June – July 2013): 171. Smith, Roberta. "Review: Ingenious Versatility in the Whitney’s ‘Open Plan’." The New York Times (April 28, 2016): C26 Inscriptions, Signatures and Marks

n.a.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.