Frédéric Marsal
So Much Can Be Seen Through a Plate Glass Window

So Much Can Be Seen Through a Plate Glass Window
So Much Can Be Seen Through a Plate Glass Window
ArtistFrench, born 1956
CultureFrench
Titles
  • So Much Can Be Seen Through a Plate Glass Window
Date1989
PlaceParis, , France
MediumGelatin silver print
DimensionsImage: 2 7/8 × 3 11/16 in. (7.3 × 9.4 cm)
 Sheet: 7 × 9 5/16 in. (17.8 × 23.7 cm)
Credit LineGift of the artist
Object number90.343
Not on view

Explore Further

Department
Photography
Object Type
ProvenanceThe artist; given to MFAH, 1990.
Inscriptions, Signatures and Marks
verso center in pencil "SO MUCH CAN BE SEEN THROUGH A / PLATE GLASS-WINDOW / Paris 1989 / Tirage 12 of 89 / Marco Pico 12 09 89"
verso lower center in pencil "Frédéric Marsal"

Cataloguing data may change with further research.

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Si tu sais que c'est la une main...
Frédéric Marsal
Si tu sais que c'est la une main...
1987
Gelatin silver print
90.562
Si tu sais que c'est la une main
Frédéric Marsal
Si tu sais que c'est la une main
1987, printed 1989
Gelatin silver print
90.363
La femme à la lettre 1 and 2
Frédéric Marsal
La femme à la lettre 1 and 2
1987, printed 1988
Gelatin silver prints
90.362.A,.B
Visions 1 and 2
Frédéric Marsal
Visions 1 and 2
1987, printed 1988
Gelatin silver prints
90.361.A,.B
Image Not Available for J'en aurais fait un boucher... (I would have so much loved to make him a butcher too...), Plate 467
Honoré Daumier
J'en aurais fait un boucher... (I would have so much loved to make him a butcher too...), Plate 467
1857
Lithograph
71.92
Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
Robert Clark
Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
2002
Gelatin silver print
2003.343
Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
Robert Clark
Billy Miller's Hand: Phil. 4:13: "I Can Do All Things Through Christ Who Strengthens Me"
2002
Gelatin silver print
2003.413
Fig. 2. Susan Meiselas, "6 P.M., U.S. Seen through Border Fence, Tijuana, Mexico," 1989
Susan Meiselas
6 P.M., U.S. Seen Through Border Fence, Tijuana, Mexico
1989, printed 1998
Gelatin silver print
98.198.1
[railroad tracks seen through gate with mountains in background]
[railroad tracks seen through gate with mountains in background]
1940s–1950s
Gelatin silver print
2014.325
Image Not Available for It Cut Through the White Teeth, Through the Tongue's Base so that the Spearhead Came Out Underneath the Jawbone
Leonard Baskin
It Cut Through the White Teeth, Through the Tongue's Base so that the Spearhead Came Out Underneath the Jawbone
1962
Lithograph, edition 6/150
82.53.16
Untitled (worker in window with garbage can, DC)
Joseph Mills
Untitled (worker in window with garbage can, DC)
1970s
Gelatin silver print with varnish
2009.631
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
Simon Norfolk
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
2010–2011, printed September 2011
Chromogenic print
2016.224.3