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ArtistUruguayan, 1890–1929
CultureUruguayan
Titles
  • Paisaje urbano
  • Urban Landscape
Date1919
MediumOil on cardboard
DimensionsPanel: 23 1/2 × 27 1/2 in. (59.7 × 69.9 cm)
Credit LineMuseum purchase funded by the 2017 Latin American Experience Gala and Auction
Object number2018.229
Not on view

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Object Type
DescriptionRafael Barradas and Joaquín Torres-García were
among the preeminent Uruguayan artists to
establish a vital connection with Europe’s
prewar vanguards. Largely self-taught, Barradas
left Montevideo in 1913 for Milan and Paris,
where he became fascinated with the advances
of Futurism, Cubism, and Synchromism.
Together with Torres-García, he proposed
Vibrationism—essentially an art reflecting a
unity of the senses—as a unique contribution
to Modernist theory. Urban Landscape reflects
the clamorous city streets of Madrid, where
Barradas had settled in 1919, with sound
and motion distilled in a colorful fugue.
ProvenanceThe artist; given to Juan Laguia Lliteras; by descent, Estate of Juan Laguia Lliteras; [Guillermo de Osma]; purchased by MFAH, 2018.
Published References Since the work has been in a private collection for almost 100 years, it has not been extensively published. That said, the following are important publications on the artist: Pereda, Raquel. "Rafael Barradas." Montevideo: Ediciones Galeria Latina, 1997. Sanguinetti, Emma. "Pintores uruguayos: Rafael Barradas." Asunción: Editorial Santillana, 2002. Carbajal, Miguel. "Rafael Barradas." Montevideo: Testoni Studios, 2011. "Barradas, Torres-García : aogosto-setiembre, 1995." Buenos Aires: Museo Nacional de Bellas Artes, 1995. Ehrlich, Ricardo and Enrique Aguerre. "Barradas: colección MNAV." Montevideo: Museo Nacional de Artes Visuales, 2013. Inscriptions, Signatures and Marks
Recto: Signed bottom left corner: BARRADAS 1919
Verso: Sketch of a figure
Recto: Signed bottom left corner: BARRADAS 1919
N/A

Cataloguing data may change with further research.

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