ArtistCalligraphy by
Fahri of Bursa (Turkish, active late 16th century, died 1617)Turkish, active late 16th century, died 1617
CultureTurkish
Titles
- Folio of Calligraphy
Datelate 16th century
MediumInk, opaque watercolor, and gold on paper
DimensionsSheet: 14 1/2 × 9 1/2 in. (36.8 × 24.1 cm)
Credit LineMuseum purchase funded by the 2017 Art of the Islamic Worlds Gala
Object number2017.490
Not on view
Explore Further
Department
Art of the Islamic WorldsObject Type
ProvenanceCollection of Jafar Ghazi, Berlin;
[Sotheby’s, London, Arts of the Islamic World, 19 October 2016, Lot 125];
purchased by MFAH, 2017.
Inscriptions, Signatures and Marks
Recto:
In the top right hand corner the Persian verses in nasta‘liq script are identified as those of Salman Savaji, a late 14th century Persian poet and contemporary of Hafiz:
خواجه سلمان فرماید
“Khwaja Salman says”
Followed by a ghazal by him:
“There is a coil in your ringlet, ask it about our fate,
You should ask the noose of disaster about the fate of the unfortunate.
You should ask the entirety of the unfortunate about their condition,
Since I am the most broken-hearted, ask me first.”
Verso:
In Kufic script on vellum:
Sura 70 al-Ma’arij verse 43, word 3—end
In the top right hand corner the Persian verses in nasta‘liq script are identified as those of Salman Savaji, a late 14th century Persian poet and contemporary of Hafiz:
خواجه سلمان فرماید
“Khwaja Salman says”
Followed by a ghazal by him:
“There is a coil in your ringlet, ask it about our fate,
You should ask the noose of disaster about the fate of the unfortunate.
You should ask the entirety of the unfortunate about their condition,
Since I am the most broken-hearted, ask me first.”
Verso:
In Kufic script on vellum:
Sura 70 al-Ma’arij verse 43, word 3—end
A note in the lower margin in Arabic: blessed calligraphy made by Imam ‘Ali ibn Abi Talib, God’s mercy and love, may God be pleased with him.
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Nezami Ganjavi
second quarter of 16th century
Ink, opaque watercolor, and gold on paper
2013.102
Ahmad-e Neyrizi
AH 1134 / 1721-22
Ink, opaque watercolor, and gold on paper; gold-colored pigments, metallic particles, and lacquer on pasteboard bookbinding
2012.470
Sultan 'Ali Mashhadi
before 1520 and c. 1603
Ink, opaque watercolor, and gold on paper
2017.436
Mir 'Ali Haravi
16th–17th century
Ink, opaque watercolor, and gold on paper; painted, gilded, and lacquered pasteboard binding
2010.1503
End of Rabi' al-Awwal, AH 718 AH / AD 1318
Ink, opaque watercolor, and gold on parchment
2007.1303
Mansur ibn Muhammad ibn Ahmad ibn Yusuf Faqir Ilyas
AH 1212 / AD 1797–1798
Ink and opaque watercolor on paper
2010.1504
c. 1595
(A) Ink, opaque watercolor, and gold on paper
(B) Ink and gold on paper
2007.1198
Isma'il Jalayir
Second half of 19th century
Ink, opaque watercolors, and gold on paper
2009.1143
Mohammed Esfahani
AH 1272 / AD 1856
Ink, opaque watercolor, and gold on paper
2014.1122