Robert Gober
Untitled

Untitled

© 2015 Robert Gober

Untitled
Untitled
ArtistAmerican, born 1954
CultureAmerican
Titles
  • Untitled
Date2014–2015
MediumPlaster, beeswax, human hair, epoxy putty, cast gypsum polymer, cast pewter, oil, and enamel paint
DimensionsOverall: 41 × 47 × 7 in. (104.1 × 119.4 × 17.8 cm)
Credit LineMuseum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
Object number2016.222
Not on view

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Object Type
Description

Robert Gober explores the uncertain
relationship our bodies have with nature and architecture. This untitled work
evolved out of a series of sculptures that trap the human form in the ordinary
furniture and decor of middle-class America. Here, weirdly extended and scarred
limbs sculpted from beeswax are woven among lathes cast in pewter. Despite
their apparent fragility, the limbs remain unbroken, while the lathes bend and
crack around them. Gober has refrained from commenting directly on this work;
however, it can be understood as a testament to the persistence of life and
memory in the face of aging and death.




ProvenanceThe artist; [Matthew Marks Gallery, New York]; purchased by MFAH, 2016.
Exhibition History"Robert Adams, Vincent Fecteau, Robert Gober, Martin Puryear, Anne Truitt and Terry Winters," Matthew Marks Gallery, New York, October 31, 2015–February 13, 2016.

"On Common Ground," Museum of Fine Arts, Houston, October 21, 2017–January 14, 2018.

"Witness," Nancy and Rich Kinder Building Inaugural Exhibition, Museum of Fine Arts, Houston, November 15, 2020–November 15, 2022.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Provided
Robert Ruello
1991
Beeswax encaustic, acrylic polymer, varnish, oil paint, and xeroxed paper on panel
2021.135.A-.C
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1998–1999
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2008.840.A-.D
Telaraña
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Fiberglass-reinforced polyester, cast polyester, enamel epoxy
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1999
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Overall recto
Clay Ketter
1997
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The Man That Left Home Walking and Came Back Riding
Thornton Dial, Sr.
1994
Steel frame, textiles including cotton and nylon hose, latex rubber gloves, leather, string, brass zipper, polyester resin putty, and latex house paint
2003.694
"Threshold" Brooch #1569
Robin Kranitzky
1991
Copper, micarta, polymer clay, wood putty, lead foil, silver, Mylar, postcard fragments, found objects, and balsa
2002.3878
Helmet Mask (Baba Kumbu)
Unknown Indigenous Pacific Islands or First Nations Australian artist
1950–1960
Plant fiber, paint, cassowary feathers, human hair, and shell
89.258
Untitled (Parabolic Lens)
Fred Eversley
1974/2018
Cast polyester
2021.33
Untitled (Victorian doll house with furnishings)
Yinka Shonibare CBE
2002
Cast resin, plastic, wood, paper, and fabric
2002.3561.A-.V
Untitled (Men's Suits)
Charles LeDray
2009
Laundry cart contents: purple satin bag; clear, white, and black hangers made from alumilite clear cast resin and galvanized steel wire; six pairs of trousers, one shirt, and two neckties made from various fabrics. Laundry bag with nylon cord, alumilite toggles, fabric, and thread, stuffed with fabric. Palette: wood, nails, glue, wood stain, dirt. Cart: wood frame with woven aluminum strips, 1/8-inch ungalvanized steel rod, clear acrylic spray coating, canvas, thread, vinyl, aluminum rivets, dirt, and newspaper ink. Broom: wood handle and housing with bristles. Floor: linoleum backed with canvas.
2010.221
Untitled
Giuseppe Penone
1995–1997
Paraffin and cast glass
2007.639