Stuart Davis
Jazz

Jazz

© Estate of Stuart Davis / Licensed by VAGA at Artists Rights Society (ARS), NY

Jazz
Jazz
ArtistAmerican, 1892–1964
CultureAmerican
Titles
  • Jazz
Date1947
MediumGouache over graphite on paperboard
DimensionsSheet: 6 1/2 × 24 1/4 in. (16.5 × 61.6 cm)
Credit LineThe Alice C. Simkins Collection, gift of Alice C. Simkins and museum purchase funded by American Art & Wine
Object number2016.313
Not on view

Explore Further

Description

In the summer of 1947, "Artnews" magazine invited Stuart Davis to illustrate Ring Lardner’s 1926 "Rhythm." Taking cues from Lardner’s short story, Davis created "Jazz," lifting words and images from the short story in jaunty tones of black and salmon pink.  However, the published version of "Jazz" disappointed Davis. Not only were his suggestions for layout ignored, but his original rose tones were rendered in mustard yellow.

While he sketched several versions of this theme, the overall compositions of "Jazz" stands out in Davis’s career. Unlike most of his work of the 1940s, which were colorful and complex variations on earlier paintings, "Jazz" is unique in its graphic simplicity.


ProvenanceThe artist; Estate of artist; Wyatt Davis, Santa Fe, New Mexico, 1984; [Salander-O’Reilly Galleries, Inc., New York, 1984]; Irving Deal, New York, October 2, 1984; [Sotheby’s Inc., New York, "Important American Paintings, Drawings, and Sculpture," December 4, 1986, sale no. 5524 VANESSA, lot no. 299, color illus.]; [Sid Deutsch Gallery, New York]; [D. Wigmore Fine Art, Inc., New York, 1997]; The Alice C. Simkins Collection, San Antonio, April 22, 1997; to MFAH, 2016.
Exhibition History"The New Spirit in American Painting: 1900-1970," Hammer Galleries, New York, November 6–December 2, 1995.

“American Modern: Works from the Collection of Alice C. Simkins,” The Museum of Fine Arts, Houston, April 15–July 19, 2015.
Inscriptions, Signatures and Marks
Recto: Signed and dated in printed ink, upper right: SD 47
Verso: Inscribed in graphite, top left corner: top lines (?) / cut out sig (?) / paste to backing [cursive, illegible]
Verso: Inscribed in graphite, lower left: 2 LINE RED 41
Verso: Inscribed in graphte, bottom right corner: Stuart Davis / 43 - 7 Ave. N.Y.C. / WA - 9 - 7519 [cursive]
Recto: Signed and dated in printed ink, upper right: SD 47
Verso: [none]
Recto: [none]
Verso: [none]
Catalogue raisonnéAni Boyajian and Mark Rutkoski, eds., "Stuart Davis: A Catalogue Raisonné" (New Haven: Yale University Art Gallery in association with Yale University Press, 2007), vol. 2, ill. p. 666, no. 1272.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

New England Fall #3
Marguerite Zorach
1917
Watercolor over graphite on paperboard
2016.312
Adolph Gottlieb
c. 1942
Gouache on paperboard
86.358
The Spoilers
John P. Cowan
mid-20th century
Gouache and watercolor on paperboard
85.152
The Anglers
John Sell Cotman
c. 1820-1830
Watercolor over graphite, heightened with gouache and stopping out
2022.323
The Abduction of Rebecca
Eugène Louis Lami
1873
Watercolor heightened with gouache over graphite on wove paper
88.341
provided by lender
Archibald Thorburn, F.Z.S.
before 1920, possibly c. 1916-1920
Gouache and watercolor over graphite on wove paper
2017.434
St. Albans Abbey from the North-west with the Sun Rising
Paul Sandby
1797
Gouache and watercolor over graphite on wove paper
2017.252
Marjamshausen
Paul Klee
1928
Watercolor and gouache over graphite on wove paper, on artist's paper board mount with pen and ink
39.111
Stage Design for Balanchine's "Liebesträume"
Frederic Stafford
c. 1931
Watercolor, pen and ink, color pencil, gouache with gold over graphite and blue ballpoint pen on wove paper
95.254
La Tia Nina
Roberto Montenegro
1938
Watercolor and gouache over graphite on wove paper
39.123
Satan alarm'd
Richard Westall
c. 1790s
Watercolor, pen and ink, and gouache, over graphite on laid paper
2014.65
Landscape with a Farmhouse and a Peasant Wheeling a Barrow
Léon Bonvin
1865
Watercolor heightened with gouache, pen and sepia-toned ink over graphite with stumping on wove paper
96.729