Charles Osborne
Butter Knife

Butter Knife

Public Domain

Butter Knife
Photograph © The Museum of Fine Arts, Houston; Paul Hester, Hester + Hardaway Photography
DesignerAmerican, born England, 1848–1920
MakerAmerican, active 1866–1926
RetailerSan Antonio, Texas, c. 1860–c. 1895
CultureAmerican
Titles
  • Butter Knife
  • from the "Arabesque" pattern
Datec. 1875
Retailed inSan Antonio, Texas, United States
Probable placeNew York , New York, United States
MediumSilver
Dimensions7/16 × 1 × 7 3/4 in. (1.1 × 2.5 × 19.7 cm)
Credit LineThe Bayou Bend Collection, gift of William J. Hill
Object numberB.2018.39
Not on view

Explore Further

Department
Bayou Bend
Object Type
Description

English-born designer Charles Osborne first worked for the Whiting firm in 1871; a design patent was issued for “Arabesque” in 1875. Osborne went on to work for Tiffany and Company in 1878. He returned to Whiting in 1888, eventually becoming its vice president, and remained with the firm until 1915.

Born near Pittsburgh, Pennsylvania, Samuel Bell (1798–1882) began his employment in metalworking there at age fourteen, crafting swords for the War of 1812. In 1821 he moved south to Knoxville, Tennessee, and began a long career as a silversmith and retailer. Bell served as mayor of Knoxville for two terms (1840–41, 1844–45) before debt issues forced him to sell his business and move his family to Texas in 1851. Of his thirteen children, all born in Tennessee, five are known to have taken up their father’s trade in San Antonio. In San Antonio, the Bell firm was initially established by Bell’s sons James G. and David, becoming J. G. & D. Bell; in 1860 the partnership’s name changed to Bell & Brothers. This shift made younger sons Powhattan and James M. Bell partners with David and removed James G. Bell’s name from the firm. James G. Bell left San Antonio in 1854 on a cattle drive to California, where he joined Edward C. Bell, likely an older brother, who worked as a jeweler in Mariposa, California. The Bells produced and retailed a wide variety of wares in San Antonio. An 1855 advertisement listed the firm as “manufacturers of all articles in their line. Dentists Plates prepared and Jewelry repaired...Saddles, Bridles, and Walking Canes mounted with gold and silver in the best style.” On the same page, a separate advertisement listed articles newly arrived for retail, including pens, spectacles, French clocks with glass shades, and assorted jewelry and fancy goods. Through all of the Bells’ iterations, advertisements offered essentially these same wares and services. The best-known silver forms produced by the Bell family include knives, cups, and flatware. In the 1890s the firm failed and was sold out of the Bell family. Renamed the Bell Jewelry Company in 1895, this final phase of the Bell family’s business legacy remained in operation until 1961.


ProvenanceWilliam J. Hill (1934–2018), Houston; given to MFAH, 2018.
Exhibition History"Made in Texas: Art, Life and Culture: 1845–1900," Beeville Art Museum, Texas, September 20, 2014–January 10, 2015.

"A Texas Legacy: Selections from the William J. Hill Collection," Museum of Fine Arts, Houston, October 2, 2016–January 2, 2017.

"Texas Silver, William J. Hill," Yale University Art Gallery, New Haven, March 1–June 1, 2017.
Inscriptions, Signatures and Marks
Inscribed on handle: C
Marked on back of handle: 5 / BELL & BROS. / PAT. 1875 / [Whiting mark] STERLING [incuse]

Cataloguing data may change with further research.

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