Artist
Maita Masafumi (Japanese, 1944–2009)Japanese, 1944–2009
CultureJapanese
Titles
- Lumière No. 2
Date1977
MediumGelatin silver print collages on artist's mounts
DimensionsOverall: 39 3/8 × 53 1/8 in. (100 × 135 cm)
Overall (each): 12 7/8 × 15 1/2 × 3/4 in. (32.7 × 39.4 × 1.9 cm)
Overall (OVERALL CASE DIMENSIONS): 42 × 66 1/2 × 6 in. (106.7 × 168.9 × 15.2 cm)
Other (BLUE BOX DIMS (2 TO EA., 8 TOTAL)): 19 3/8 × 15 3/8 × 2 3/16 in. (49.2 × 39.1 × 5.6 cm)
Overall (each): 12 7/8 × 15 1/2 × 3/4 in. (32.7 × 39.4 × 1.9 cm)
Overall (OVERALL CASE DIMENSIONS): 42 × 66 1/2 × 6 in. (106.7 × 168.9 × 15.2 cm)
Other (BLUE BOX DIMS (2 TO EA., 8 TOTAL)): 19 3/8 × 15 3/8 × 2 3/16 in. (49.2 × 39.1 × 5.6 cm)
Credit LineMuseum purchase funded by Manfred Heiting and The Francis L. Lederer Foundation, courtesy of Sharon Lederer
Object number2014.713.A-.L
Not on view
Explore Further
Department
PhotographyObject Type
ProvenanceEstate of the artist (Mitsue Maita), Fujimi, Nagano-ken, Japan; Yumiko Chiba Associates, Tokyo; The Museum of Fine Arts, Houston, Texas, 2014
Exhibition History“For A New World to Come: Experiments in Japanese Art and Photography, 1968-1979 Japan,” The Museum of Fine Arts, Houston, March 8–July 12, 2015.
Inscriptions, Signatures and Marks
Signed in pencil lower right below the image on the mount: 77 / Masafuni Maita
Marked in ink on verso board forming four vertical columns:
A / NO. 1 / Lumiere No 2
NO 2 / A / Lumiere No 2
A. / NO. 3 / Lumiere No 2
B. / NO. 1 / Lumiere No 2
B. / NO.2 / Lumiere No 2
B. / NO. 3 / Lumiere No 2
C. / NO.1 / Lumiere No 2
C. / NO. 2 / Lumiere No 2
C / NO. 3 / Lumiere No 2
D. / NO. 1 / Lumiere No 2
D. / NO.2 / Lumiere No 2
D. / NO. 3 / Lumiere No 2
A / NO. 1 / Lumiere No 2
NO 2 / A / Lumiere No 2
A. / NO. 3 / Lumiere No 2
B. / NO. 1 / Lumiere No 2
B. / NO.2 / Lumiere No 2
B. / NO. 3 / Lumiere No 2
C. / NO.1 / Lumiere No 2
C. / NO. 2 / Lumiere No 2
C / NO. 3 / Lumiere No 2
D. / NO. 1 / Lumiere No 2
D. / NO.2 / Lumiere No 2
D. / NO. 3 / Lumiere No 2
Cataloguing data may change with further research.
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MANUAL
1977
Internal dye diffusion transfer prints on artists' mounts
80.88.A,.B
18th century
Six-panel folding screen; oil on red maki-e lacquer on panel, with gilt wood mounts and linen backing
2021.537.A
18th century
Six-panel folding screen; oil on red maki-e lacquer on panel, with gilt wood mounts and linen backing
2021.537.B
18th century
Twelve-panel folding screen; oil on red maki-e lacquer on panel, with gilt wood mounts and linen backing
2021.537.A,.B
Anton Mozart
1601
Cabinet: pear wood, ebonized walnut, oak, and conifer with steel-etched, part fire-gilt brass mounts and fittings
Paintings: oil on copper
BF.2008.1
Léon Marcotte
1869
Ebonized American black cherry and bronze mounts; original upholstery
84.91
c. 1825–1835
Mahogany and mahogany veneer; eastern white pine, yellow-poplar, gilding, glass, and gilt-bronze mounts
B.82.4
Luis González Palma
c. 1992
Gelatin silver print with toning and mixed media on artist's mount
96.1728
Luis González Palma
1991
Gelatin silver prints with toning on artist's mount
96.1729