Jeremy Kost
It's a Good Thing I Was Born a Girl

capture from subcommittee Minutes
It's a Good Thing I Was Born a Girl
capture from subcommittee Minutes
ArtistAmerican, born 1977
CultureAmerican
Titles
  • It's a Good Thing I Was Born a Girl
Date2012
Place depictedNew York City, New York, United States
MediumAcrylic and enamel on canvas
DimensionsOverall: 36 × 48 × 1 1/2 in. (91.4 × 121.9 × 3.8 cm)
Credit LineGift of Andrew Craven and Rodger Hicks
Object number2013.195
Not on view

Explore Further

Department
Photography
Special Collections
Object Type
ProvenanceThe artist; Andrew Craven and Rodger Hicks; given to MFAH, 2013.
Exhibition HistoryOf An Instance, New York, Jeremy Kost Studio and The Andy Warhol Museum, May 4–June 1, 2012.
Inscriptions, Signatures and Marks
No marks or inscriptions
Unsigned

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

uncropped recto of sheet
Jeremy Kost
It's a Good Thing I Was Born a Girl
2010
Internal dye diffusion print
2013.233
capture from Subcommittee Minutes
Jeremy Kost
Perspective (The Opposite Side)
2012
Acrylic and enamel on canvas
2013.194
uncropped recto of sheet
Jeremy Kost
Perspective (The Opposite Side)
2008
Internal dye diffusion print
2013.232
Untitled
Jeremy DePrez
Untitled
2013
Oil on canvas
2013.334
Air Red
Dan Christensen
Air Red
1971
Enamel and acrylic on canvas
79.277
Good Morning
Khalif Tahir Thompson
Good Morning
2022
Oil on canvas, handmade paper, papyrus, velvet, raw silk fabric, newsprint, acrylic, leather mixed media
2023.228
"The moon turns its clockwork dream - the biggest stars look at me with your eyes"
Leslie Field
"The moon turns its clockwork dream - the biggest stars look at me with your eyes"
2004
Inkjet print on acrylic
2018.448
For I Will Strike and I Will Soothe
Naudline Pierre
For I Will Strike and I Will Soothe
2022
Oil and enamel on canvas
2022.277
One of the huge logistics compounds at Camp Leatherneck. A modern, technologized army needs hundreds of thousands of different kinds of objects in order to keep it working. A $100m warplane can be grounded for the want of a $1 part. Supplying these things is a huge drain on an army’s resources and its greatest vulnerability.
Simon Norfolk
One of the huge logistics compounds at Camp Leatherneck. A modern, technologized army needs hundreds of thousands of different kinds of objects in order to keep it working. A $100m warplane can be grounded for the want of a $1 part. Supplying these things is a huge drain on an army’s resources and its greatest vulnerability.
2010–2011, printed September 2011
Chromogenic print
2016.224.90
I Am Coming In
Thornton Dial, Sr.
I Am Coming In
1993
Enamel and spray paint on canvas
2003.697
I Wonder Why
César Paternosto
I Wonder Why
1971
Acrylic on canvas
2022.108
Darkness Spread I
Jules Olitski
Darkness Spread I
1973
Acrylic on canvas
86.500