Like many early photographers, P. H.
Delamotte and Joseph Cundall were artists trained in areas other than
photography. Cundall was a painting student, and Delamotte was the son and
student of a painter and drawing master. By the early 1840s, however, both
turned their attention to photography. Cundall helped organize the Calotype
Society in 1847 and began publishing books illustrated with photography.
Delamotte exhibited works in the first photographic exhibition in 1852, and he
went on to become a licensed calotype printer and portrait maker.

Delamotte and Cundall formed a
working relationship in 1853 when Delamotte began advertising his services
through the Photographic Institute, which had been opened by Cundall. The two
artists organized the first commercial photographic auction in 1853, and
Cundall published several of Delamotte's photographs in albums. Finally, they
formed a joint venture with Photographic Views of the Progress of the Crystal
Palace Sydenham (1852-55) and in 1856, A Photographic Tour among the
Abbeys of Yorkshire.

By the 1860s Delamotte had returned
to painting and drawing and eventually became a professor of drawing. Cundall
was influential in early British photography because of his publishing efforts,
which he continued.

Fountain Abbey is from an album,
most likely A Photographic Tour among the Abbeys of Yorkshire. The
dapper man posing gives a human element to an otherwise sterile architectural
detail. It is not a formal portrait, for that would have more carefully
identified the man.