Simon Norfolk
The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.

The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.

© Simon Norfolk / Gallery Luisotti

The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.
The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • The future leadership of the Afghan Air Force with Maj. Jason A. Church of the US Marines who is training and funding them.
  • from the portfolio Burke + Norfolk: Photographs from the War in Afghanistan
Date2010–2011, printed September 2011
Place depictedAfghanistan
MediumChromogenic print
DimensionsImage: 14 3/8 × 19 1/8 in. (36.5 × 48.6 cm)
 Sheet: 15 × 20 in. (38.1 × 50.8 cm)
Credit LineGift of Morris Weiner
Object number2016.224.54
Not on view

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Department
Photography
Object Type
ProvenanceThe artist; [Gallery Luisotti, Santa Monica, California]; purchased by Morris Weiner, Houston, 2012; given to MFAH, 2016.
Inscriptions, Signatures and Marks
Stamped in black ink, verso, lower right: Burke + Norfolk // Photographs from the war in Afghanistan // by John Burke and Simon Norfolk // Printed by Simon Norfolk, September 2011 // An archival, digital, chromogenic print on Fujicolor Crystal Archive // Photograph by Simon Norfolk [signed in pencil over a stamped underline] // One of 104 prints in a Burke + Norfolk portfolio special edition // Edition number 1 of eight [1 is handwritten in pencil over a stamped underline]
Norfolk prints are signed and numbered on verso lower right, within artist's stamp

Cataloguing data may change with further research.

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Afghan police trainees being taken to the firing ranges by US Marines, Camp Leatherneck, Helmand.
Simon Norfolk
Afghan police trainees being taken to the firing ranges by US Marines, Camp Leatherneck, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.75
Afghan Police being trained by US Marines, Camp Leatherneck.
Simon Norfolk
Afghan Police being trained by US Marines, Camp Leatherneck.
2010–2011, printed September 2011
Chromogenic print
2016.224.65
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
Simon Norfolk
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.8
There are 16,000 US Marines aboard Camp Leatherneck spread over 1,600 acres. Empty shipping containers are used as storage, wind breaks or blast walls. In May 2010 a mysterious fire, that may have been sabotage, destroyed 9 acres of containers. It burned so furiously that fire fighters even lost two of their fire engines.
Simon Norfolk
There are 16,000 US Marines aboard Camp Leatherneck spread over 1,600 acres. Empty shipping containers are used as storage, wind breaks or blast walls. In May 2010 a mysterious fire, that may have been sabotage, destroyed 9 acres of containers. It burned so furiously that fire fighters even lost two of their fire engines.
2010–2011, printed September 2011
Chromogenic print
2016.224.95
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
Simon Norfolk
‘Radio TV Mountain’ in the centre of Kabul seen from where the Kabul River cuts through the mountains creating the Deh Mazang gorge. In the First Anglo-Afghan War it was the site of a crucial skirmish and hasty retreat by badly outnumbered British cavalry who had blundered into the midst of a massive Afghan army.
2010–2011, printed September 2011
Chromogenic print
2016.224.3
A de-mining team from the Mine Detection Centre in Kabul with a member of the German Police who is mentoring them.
Simon Norfolk
A de-mining team from the Mine Detection Centre in Kabul with a member of the German Police who is mentoring them.
2010–2011, printed September 2011
Chromogenic print
2016.224.52
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
Simon Norfolk
Jawad, who like many Afghans uses just the one name, out playing with an old tyre in the Mikrorayon district of Kabul.
2010–2011, printed September 2011
Chromogenic print
2016.224.2
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
Simon Norfolk
A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
2010–2011, printed September 2011
Chromogenic print
2016.224.14
The Afghan Women’s National Basketball squad.
Simon Norfolk
The Afghan Women’s National Basketball squad.
2010–2011, printed September 2011
Chromogenic print
2016.224.70
At a music school in Kabul, boys are taught the traditional Afghan instrument the rubab. Difficult to play, it is a skill which nearly became extinct during the Taliban prohibition on secular music.
Simon Norfolk
At a music school in Kabul, boys are taught the traditional Afghan instrument the rubab. Difficult to play, it is a skill which nearly became extinct during the Taliban prohibition on secular music.
2010–2011, printed September 2011
Chromogenic print
2016.224.60
Young women in the indoor skatepark of the NGO ‘Skateistan’, set up by American volunteers to help young Afghans improve their skateboarding and indoor rock-climbing skills.
Simon Norfolk
Young women in the indoor skatepark of the NGO ‘Skateistan’, set up by American volunteers to help young Afghans improve their skateboarding and indoor rock-climbing skills.
2010–2011, printed September 2011
Chromogenic print
2016.224.61