Solomon Fussell
Armchair

CultureAmerican
Titles
  • Armchair
Datec. 1735–1750
Made inPhiladelphia, Pennsylvania, United States
MediumSoft maple; hard maple and soft maple
Dimensions45 5/8 × 25 3/4 × 21 3/8 in. (115.9 × 65.4 × 54.3 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.66.24
Current Location
Bayou Bend Collection and Gardens
Maple Bedroom
On view

Explore Further

Department
Bayou Bend
Object Type
Description

Slat-back armchairs and side chairs (see B.58.148.1) constituted the staple seating furniture in Philadelphia and environs during much of the eighteenth century. The genre has been commonly identified as Delaware Valley, and scholarship has revealed Soloman Fussell as one of its major producers. These distinctive chairs combine elements of both New England and Germanic design. The flat, undercut arms are Germanic in origin, while the ball-and-ring stretcher reflects the influence of imported Boston chairs. The most noteworthy detail of this example is the faceted cabriole leg, commonly called a “crookt” foot in the period. This feature added both style and cost, as did the multiple slats. The turnings of the baluster-form arm support, made separately and joined to the top of the cabriole leg, have been identified as hallmarks of Fussell’s production. A frame of figured maple finishes off the seat. As was the practice in the period, the maple surfaces are colored with a dark stain.

Technical notes: Soft maple; hard maple (right interior seat rail), soft maple (remaining seat rails).

Related examples: Winterthur (Forman 1980, p. 47, fig. 2); MMA (acc. no. 10.125.235); private collection (Forman 1980, p. 56, fig. 12); Christie’s, New York, sale 7710, June 23, 1993, lot 131.

Book excerpt: Warren, David B., Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


Provenance[David Stockwell (1907–1996), Wilmington, Delaware]; purchased by Miss Ima Hogg, 1966; given to MFAH, 1966.
Exhibition History
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

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Side Chair (one of a pair)
Solomon Fussell
c. 1735–1750
Soft maple
B.58.148.1
Side Chair (one of a pair)
Solomon Fussell
c. 1735–1750
Soft maple
B.58.148.2
Armchair
c. 1700–1725
Soft maple; hard maple, birch, ash, poplar, aspen poplar or cottonwood
B.69.44
Easy Chair
c. 1730–1760
Black walnut and soft maple; soft maple, hard maple, beech, and sylvestris pine
B.69.252
scan from file photograph
c. 1820–1835
Maple, hickory, yellow-poplar, soft maple, and hard maple; original painted decoration
B.67.30.5,.6
Easy Chair
c. 1715–1735
Soft maple, eastern white pine, hard maple, and birch
B.58.104
Armchair
c. 1740–1760
Soft maple; red oak and soft maple
B.69.223
Easy Chair
c. 1750–1800
Mahogany, soft maple, and birch; soft maple and birch
B.57.76
Easy Chair
c. 1730–1800
Black walnut and soft maple; soft maple
B.59.95
Easy Chair
c. 1730–1775
Soft maple; soft maple, eastern white pine, and elm.
B.60.90
Easy Chair
c. 1750–1780
Soft maple; birch and soft maple
B.66.1
Side Chair (one of a set of four)
c. 1815–1825
Soft maple and painted soft maple
B.67.27.1