Simon Norfolk
The bazaar of Jalozai Camp, home to Afghan Refugees living near Peshawar, Pakistan

The bazaar of Jalozai Camp, home to Afghan Refugees living near Peshawar, Pakistan

© Simon Norfolk / Gallery Luisotti

The bazaar of Jalozai Camp, home to Afghan Refugees living near Peshawar, Pakistan
The bazaar of Jalozai Camp, home to Afghan Refugees living near Peshawar, Pakistan
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • The bazaar of Jalozai Camp, home to Afghan Refugees living near Peshawar, Pakistan
  • from the series Refuge: The first safe place
Date2003–2004, printed 2010
PlacePeshawar, Pakistan
MediumInkjet print
DimensionsImage: 19 1/4 x 24 in. (48.9 x 61 cm)
 Sheet: 23 1/8 x 28 in. (58.7 x 71.1 cm)
Credit LineMuseum purchase funded by the S. I. Morris Photography Endowment
Object number2011.256
Not on view

Explore Further

Department
Photography
Object Type
Provenance[Gallery Luisotti, Santa Monica, California]; purchased by MFAH, 2011.
Exhibition History"WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath," The Museum of Fine Arts, Houston, 11 November, 2012 - 3 February, 2013.
Inscriptions, Signatures and Marks
Signed in ink on verso lower right inside of stamped label: Simon Norfolk
Stamped in ink on verso with additional marks in a rectangle:
printed under my direct supervision / archival digital c-type print [signature] / fecit / edition number 4/10 5-10-10

Cataloguing data may change with further research.

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cropped recto of sheet
Simon Norfolk
Tibetan refugees living in the McLeod Ganj district of Dharamsala in the Dhauladhar Range of the Himalayas in northern India. Buddhist prayer flags adorn the hillsides
2003–2004, printed 2010
Inkjet print
2011.257
Refugees from fighting between NATO and the Taliban in Nangarhar province, close to the Pakistan border, now sheltering on wasteground in Kabul.
Simon Norfolk
Refugees from fighting between NATO and the Taliban in Nangarhar province, close to the Pakistan border, now sheltering on wasteground in Kabul.
2010–2011, printed September 2011
Chromogenic print
2016.224.35
Jaw Aka Faizal Nahman and his daughter Nono from Bamiyan province, now living in an improvised plastic shelter in the ruined gardens of Darulaman Palace. Built in the 1920s to house an Afghan parliament, ‘Darul Aman’ translates as ‘abode of peace’.
Simon Norfolk
Jaw Aka Faizal Nahman and his daughter Nono from Bamiyan province, now living in an improvised plastic shelter in the ruined gardens of Darulaman Palace. Built in the 1920s to house an Afghan parliament, ‘Darul Aman’ translates as ‘abode of peace’.
2010–2011, printed September 2011
Chromogenic print
2016.224.19
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
Afghan police trainees being taken to the firing ranges by US Marines, Camp Leatherneck, Helmand.
Simon Norfolk
Afghan police trainees being taken to the firing ranges by US Marines, Camp Leatherneck, Helmand.
2010–2011, printed September 2011
Chromogenic print
2016.224.75
Afghan Police being trained by US Marines, Camp Leatherneck.
Simon Norfolk
Afghan Police being trained by US Marines, Camp Leatherneck.
2010–2011, printed September 2011
Chromogenic print
2016.224.65
A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
Simon Norfolk
A watchtower guarding a street of foreign embassies in central Kabul. For the British army these improvised fortifications are called ‘sangars’, although the term is Dari for ‘barricade’ and is one of the few words the British brought home from the Anglo-Afghan Wars.
2010–2011, printed September 2011
Chromogenic print
2016.224.14
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
Simon Norfolk
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
2010–2011, printed September 2011
Chromogenic print
2016.224.22
Wasteland at the back of shops used as stabling for draft horses. In the distance is the Bala Hissar citadel, now home to an Afghan Army base and mooring for one of the American blimps that carry electronic surveillance gear and cameras.
Simon Norfolk
Wasteland at the back of shops used as stabling for draft horses. In the distance is the Bala Hissar citadel, now home to an Afghan Army base and mooring for one of the American blimps that carry electronic surveillance gear and cameras.
2010–2011, printed September 2011
Chromogenic print
2016.224.10
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
Simon Norfolk
The future home of The Afghan Cash And Carry Superstore on the road between the foreign embassies and Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.8
Strongly pro-Taliban refugees. For the photograph, they chose to partially cover their faces.
Simon Norfolk
Strongly pro-Taliban refugees. For the photograph, they chose to partially cover their faces.
2010–2011, printed September 2011
Chromogenic print
2016.224.68
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
Simon Norfolk
Some of the nonsensical property development taking place in Kabul. This district of the city, Karte Char Chateh, is remembered by Kabulis as that part of the bazaar which was burned by the British in 1842 as collective punishment for the killing of the British Envoy. The fires still burned when the British retreated two days later.
2010–2011, printed September 2011
Chromogenic print
2016.224.7