Simon Norfolk
Bonetta Cemetery at Comfortess Cove

Bonetta Cemetery at Comfortess Cove
Bonetta Cemetery at Comfortess Cove
Bonetta Cemetery at Comfortess Cove
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Bonetta Cemetery at Comfortess Cove
  • from the series Ascension Island: The Panopticon
Date2003
MediumChromogenic print
DimensionsImage: 39 15/16 × 49 15/16 in. (101.4 × 126.8 cm)
 Sheet: 39 15/16 × 49 15/16 in. (101.4 × 126.8 cm)
 Mount: 39 15/16 × 49 15/16 in. (101.4 × 126.8 cm)
Credit LineGift of Dr. Philip A. Greider
Object number2019.666
Not on view

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Department
Photography
Object Type
Provenance[Gallery Luisotti, Santa Monica, California]; Dr. Philip A. Greider, Los Angeles; given to MFAH, 2019.
Inscriptions, Signatures and Marks
[no inscriptions recto or verso]

Cataloguing data may change with further research.

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The oil-fired Power Station at Jiyeh bombed in the first few days of the war
Simon Norfolk
The oil-fired Power Station at Jiyeh bombed in the first few days of the war
2006
Chromogenic print
2019.667
The Ministry of Planning, Baghdad
Simon Norfolk
The Ministry of Planning, Baghdad
April 19-27, 2003
Chromogenic print
2019.665
Glory Trip 197
Simon Norfolk
Glory Trip 197
March 15, 2008
Chromogenic print
2019.668
Old biplane on a display plinth at the Exhibition Grounds in Kabul. Fighting birds are a source of great pride to Afghan men, but were banned by the Taliban as un-Islamic
Simon Norfolk
Old biplane on a display plinth at the Exhibition Grounds in Kabul. Fighting birds are a source of great pride to Afghan men, but were banned by the Taliban as un-Islamic
2001–2002
Chromogenic print
2019.664
A Shia cemetery on the flanks of Kohe Asmai.
Simon Norfolk
A Shia cemetery on the flanks of Kohe Asmai.
2010–2011, printed September 2011
Chromogenic print
2016.224.43
Dresden: Heidefriedhof [Cemetery for ash remains]
Simon Norfolk
Dresden: Heidefriedhof [Cemetery for ash remains]
c. 1998, printed 1999
Gelatin silver print with toning
2001.214
Namibia, 1904
Simon Norfolk
Namibia, 1904
printed 2000
Chromogenic print
2002.299
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
Simon Norfolk
Historically, Kuchis were strongly pro-Taliban; feelings made more intense by being bombed by NATO off their traditional grazing lands in Helmand. They are allowed to set up camp here on Kabul’s periphery only because it is below a large, new Afghan Army base.
2010–2011, printed September 2011
Chromogenic print
2016.224.46
At Wasalabad high above West Kabul. It has taken 26 men from the Mine Detection Centre and four de-mining dogs more than three months to clear mines from an area the size of a few soccer pitches. Kabul’s rapid expansion has increased pressure for building land. Mined areas that were once marginal are now in demand for house construction.
Simon Norfolk
At Wasalabad high above West Kabul. It has taken 26 men from the Mine Detection Centre and four de-mining dogs more than three months to clear mines from an area the size of a few soccer pitches. Kabul’s rapid expansion has increased pressure for building land. Mined areas that were once marginal are now in demand for house construction.
2010–2011, printed September 2011
Chromogenic print
2016.224.44
The entrance to a small, western-backed NGO.
Simon Norfolk
The entrance to a small, western-backed NGO.
2010–2011, printed September 2011
Chromogenic print
2016.224.41
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
Simon Norfolk
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
2010–2011, printed September 2011
Chromogenic print
2016.224.42
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
Simon Norfolk
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
2010–2011, printed September 2011
Chromogenic print
2016.224.12