Chillman Suite
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The Chillman Suite, which includes a foyer and parlor, is named in honor of interior decorator Dorothy Dawes Chillman—wife of James H. Chillman, Jr., the first director of the Museum—who helped Ima Hogg develop Bayou Bend’s period rooms during the 1950s and 1960s.
With vibrant greens and golds, the Chillman Suite brings to life the classical taste so popular in the United States in the first half of the 19th century. The wall-to-wall carpeting was reproduced from a period example. Details of the objects on view evoke classical forms.
1 to 24 of 77
Simon Willard
c. 1825
Mahogany, brass, steel, iron, lead, glass, and enamel
B.2023.7
c. 1815–1825
Mahogany, mahogany veneer, and yellow-poplar; eastern white pine, mahogany, paint, and gilt
B.67.31
c. 1815–1825
Mahogany, mahogany veneer; eastern white pine, yellow poplar, cherry, and mahogany
B.71.106
Frédéric Martens
c. 1834–1835
Aquatint, etching, and engraving on white wove paper
B.2015.3
Brooklyn Flint Glass Company
c. 1853–1857
Lead glass
B.2015.1
Frédéric Martens
c. 1834–1835
Aquatint, etching, and engraving on white wove paper
B.2015.4
Josiah Wedgwood & Sons
c. 1810–1820
Stoneware (black basaltes) with encaustic red-orange decoration
B.69.523.1,.2
Josiah Wedgwood & Sons
c. 1790–1810
Lead-glazed earthenware (pearlware) with enamel
B.94.2
Deming & Bulkley
c. 1825–1835
Mahogany; eastern white pine, cherry, paint, and gilt
B.69.526
c. 1800–1810
Hard-paste porcelain with enamel and gilding
B.2011.5.35