Œuvres de : "Simon Norfolk"

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A Shia cemetery on the flanks of Kohe Asmai.
Simon Norfolk
A Shia cemetery on the flanks of Kohe Asmai.
2010–2011, printed September 2011
Chromogenic print
2016.224.43
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
Simon Norfolk
Before dawn, construction workers warm themselves over burning plastic and cardboard before beginning the job of attempting to get hired for a day’s work.
2010–2011, printed September 2011
Chromogenic print
2016.224.42
The entrance to a small, western-backed NGO.
Simon Norfolk
The entrance to a small, western-backed NGO.
2010–2011, printed September 2011
Chromogenic print
2016.224.41
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
Simon Norfolk
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
2010–2011, printed September 2011
Chromogenic print
2016.224.40
Radio Afghanistan’s new transmitters paid for by American money; broadcasting official government news and anti-Taliban security alerts.
Simon Norfolk
Radio Afghanistan’s new transmitters paid for by American money; broadcasting official government news and anti-Taliban security alerts.
2010–2011, printed September 2011
Chromogenic print
2016.224.39
Yards supplying construction materials in Nawabadi Guzargah district of Kabul, overlooked by American-controlled electronic eavesdropping equipment on the summit of Kohe Asmai.
Simon Norfolk
Yards supplying construction materials in Nawabadi Guzargah district of Kabul, overlooked by American-controlled electronic eavesdropping equipment on the summit of Kohe Asmai.
2010–2011, printed September 2011
Chromogenic print
2016.224.38
Interior of Fort Dakka.
John Burke
Interior of Fort Dakka.
1878–1880, printed September 2011
Chromogenic print
2016.224.37
Some of the astonishing new architecture mushrooming up in cities all over Afghanistan. Part Disney, part wedding cake; inspired by Bollywood but reverential to Greek classicism; it represents an architectless kind of architecture.
Simon Norfolk
Some of the astonishing new architecture mushrooming up in cities all over Afghanistan. Part Disney, part wedding cake; inspired by Bollywood but reverential to Greek classicism; it represents an architectless kind of architecture.
2010–2011, printed September 2011
Chromogenic print
2016.224.36
Refugees from fighting between NATO and the Taliban in Nangarhar province, close to the Pakistan border, now sheltering on wasteground in Kabul.
Simon Norfolk
Refugees from fighting between NATO and the Taliban in Nangarhar province, close to the Pakistan border, now sheltering on wasteground in Kabul.
2010–2011, printed September 2011
Chromogenic print
2016.224.35
Pakistani apples for sale at a roadside market.
Simon Norfolk
Pakistani apples for sale at a roadside market.
2010–2011, printed September 2011
Chromogenic print
2016.224.34
An informal market in the ‘Mikrorayon 4’ housing area, covered up for the night.
Simon Norfolk
An informal market in the ‘Mikrorayon 4’ housing area, covered up for the night.
2010–2011, printed September 2011
Chromogenic print
2016.224.33
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
Simon Norfolk
An entrepreneur creates a roadside tea stall at the busy Saraj-e Shomali traffic junction. Above him are adverts for banks; a ‘win a free car’ offer from a mobile phone company and the grave of a shahid or martyr.
2010–2011, printed September 2011
Chromogenic print
2016.224.32
Jellallabad, the main street shewing covered Bazaar.
John Burke
Jellallabad, the main street shewing covered Bazaar.
1879, printed September 2011
Chromogenic print
2016.224.31
Unfinished, speculative property development near Kabul Airport.
Simon Norfolk
Unfinished, speculative property development near Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.30
A security guard’s booth at the newly restored Ikhtyaruddin citadel, Herat.
Simon Norfolk
A security guard’s booth at the newly restored Ikhtyaruddin citadel, Herat.
2010–2011, printed September 2011
Chromogenic print
2016.224.29
Internet café, Herat.
Simon Norfolk
Internet café, Herat.
2010–2011, printed September 2011
Chromogenic print
2016.224.28
Kabul ‘Pizza Express’ restaurant behind the municipal bus depot.
Simon Norfolk
Kabul ‘Pizza Express’ restaurant behind the municipal bus depot.
2010–2011, printed September 2011
Chromogenic print
2016.224.27
Upper Bala Hissar. South Face.
John Burke
Upper Bala Hissar. South Face.
1879, printed September 2011
Chromogenic print
2016.224.26
A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company heavily supported by American money.
Simon Norfolk
A dumping ground for an abandoned Russian-era bomber that has now been incorporated into the car park of ‘Shamshad TV’, a new media company heavily supported by American money.
2010–2011, printed September 2011
Chromogenic print
2016.224.25
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
Simon Norfolk
The peripheries of the city of Kabul, especially to the north and east are endless building sites. Since most of the documentation concerning land title was lost during the war, much of this speculative and illegal construction is concerned more with establishing undisputable ‘facts on the ground’. Apartments and shops are, almost exclusively, unoccupied.
2010–2011, printed September 2011
Chromogenic print
2016.224.24
Cabul. West End Sherpur. Winter.
John Burke
Cabul. West End Sherpur. Winter.
1878–1880, printed September 2011
Chromogenic print
2016.224.23
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
Simon Norfolk
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
2010–2011, printed September 2011
Chromogenic print
2016.224.22
The whole eastern side of Kabul, for miles along both sides of Jalalabad Road is one huge logistics yard capable of supplying the foreign military and rapidly growing embassies with everything they might need from a single cup of coffee right through to an entire airstrip.
Simon Norfolk
The whole eastern side of Kabul, for miles along both sides of Jalalabad Road is one huge logistics yard capable of supplying the foreign military and rapidly growing embassies with everything they might need from a single cup of coffee right through to an entire airstrip.
2010–2011, printed September 2011
Chromogenic print
2016.224.21
The swimming pool that crowns Tepe Wazir Akbar Khan, built by the Soviets in the 1970s and restored in recent times at great expense by USAID. It is uncertain if it will ever be used.
Simon Norfolk
The swimming pool that crowns Tepe Wazir Akbar Khan, built by the Soviets in the 1970s and restored in recent times at great expense by USAID. It is uncertain if it will ever be used.
2010–2011, printed September 2011
Chromogenic print
2016.224.20
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