Jean-Baptiste Greuze
Femme nue allongé: étude pour "Egine visité par Jupiter" (Reclining Female Nude: Study for "Aegina visited by Jupiter")
Artist
Jean-Baptiste Greuze(French, 1725–1805)French, 1725–1805
CultureFrench
Titles
- Femme nue allongé: étude pour "Egine visité par Jupiter" (Reclining Female Nude: Study for "Aegina visited by Jupiter")
Datec. 1767
MediumRed chalk on laid paper
DimensionsSheet: 12 5/8 × 19 1/2 in. (32.1 × 49.5 cm)
Credit LineMuseum purchase funded by the Alvin S. Romansky Prints and Drawings Accessions Endowment Fund
Object number2008.937
Non exposé
Explore Further
Department
Prints and DrawingsObject Type
Exhibition History"Jean-Baptiste Greuze, 1725-1805," Wadsworth Atheneum, Hartford, December 1, 1976—January 23,1977. Traveled to: California Palace of the Legion of Honor, San Francisco, March 5—May 1, 1977; Muse´e Des Beaux-arts, Dijon, June 4—July 31, 1977.
"Building the Master Drawings Collection," Museum of Fine Arts, Houston, September 30 —December 21, 2009 [Millennium Corridor, Beck Lower Level].
Inscriptions, Signatures and Marks
Inscribed in ink, on mount: "Ce dessin qui provient de ma collection de dessins m/a été / donné par Melle Greuze elle-même il est de son père / Cte de Valori"
Inscribed in ink, on mount, in different hand below first inscription: "J'atteste que Je tiens ce dessin . directement, de M.r Le Comte de Valori / comme étant original de Greuze. / en foi de quoi / Bonard"
Inscribed in ink, on mount, in different hand below first inscription: "J'atteste que Je tiens ce dessin . directement, de M.r Le Comte de Valori / comme étant original de Greuze. / en foi de quoi / Bonard"
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
![Étude de femme nue pour le Trio érotique (Study of a Female Nude for the Erotic Trio) [recto]; The Combat of Hercules and Hippolyta, Queen of the Amazons and [reversed underlying sketch] Woman on the Ground and Woman in Half Length [verso]](/internal/media/dispatcher/310272/thumbnail)
Théodore Géricault
1816–1817
Black chalk on wove paper
2016.212.A,.B
Johann Zoffany
late 18th century
Black chalk with white chalk on gray blue laid paper
2019.677
François Boucher
no date
Charcoal heightened with pastel and chalk on neutral-pink
94.1052
Domenico Cresti (called Il Passignano)
c. 1600–1625
Red chalk on laid paper
2009.516
Félix Emile-Jean Vallotton
1902
Lithograph in black, red, and blue
93.61.21
Jean-Honoré Fragonard
ca. 1780s-90s
Black and red chalk on laid paper
94.1053
Michelangelo Buonarroti
Mid- to late 16th century
Black and red chalk, pen and brown ink with brown wash on laid paper
2020.480
Jacques Callot
c. 1616
Pen and brown ink and wash and red chalk over black chalk on laid paper
2017.226
Arthur Devis
c. 1750s
Black and red chalk heightened with white chalk on blue laid paper
2015.438
