Hatakeyama Naoya
Blast

Blast

© Hatakeyama Naoya, courtesy Taka Ishii Gallery

Blast
Blast
CultureJapanese
Titles
  • Blast
Date2005
Place depictedJapan
MediumChromogenic prints
DimensionsOverall: 40 × 119 1/2 × 2 in. (101.6 × 303.5 × 5.1 cm)
Credit LineMuseum purchase funded by the S. I. Morris Photography Endowment
Object number2008.531.A,.B
Non exposé

Explore Further

Department
Photography
Object Type
Description

In his Blast series (1995–2010), Naoya Hatakeyama captured successive moments in the blasting of limestone at a quarry. Using a 35mm camera placed on a tripod, he used a remote-control device to manually trigger a shutter with a speed of 1,000th of a second as a technician triggered the blast. Hatakeyama coordinated with an explosives expert, who accurately predicted where the shrapnel from the blasted boulders would fly. For Hatakeyama, the photographing of Blast has been an invaluable experience that has allowed him to reexamine photography’s fundamental technology to capture an instant.


In creating his Blast photographs, Hatakeyama was inspired by the stop-motion photographs created in the 19th century by Eadweard Muybridge, who pictured animal and human motions in sequence through the use of multiple cameras. (His work Movement of the hand; beating time is shown toward the opposite end of this exhibition.)


After the Great East Japan Earthquake of March 11, 2011, which gravely affected and washed away his hometown in Iwate and numerous lives there, Hatakeyama stopped creating Blast photographs, as they remind him of the grave damages caused by the natural disaster. 


Provenance[Taka Ishii Gallery, Tokyo]; purchased by MFAH, 2008.
Exhibition History"Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection," Museum of Fine Arts, Houston, February 21–May 9, 2010.

"Excavating the Future City: Photographs by Naoya Hatakeyama," Minneapolis Institute of Art, March 4–July 22, 2018.
Inscriptions, Signatures and Marks
No marks or inscriptions were recorded before mounting and framing.

Cataloguing data may change with further research.

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