W. Eugene Smith
Untitled

cropped recto of sheet

© Estate of W. Eugene Smith

Untitled
cropped recto of sheet
ArtistAmerican, 1918–1978
CultureAmerican
Titles
  • Untitled
  • from the series The Country Doctor
Date1948
PlaceUnited States
MediumGelatin silver print
DimensionsImage/Sheet: 10 1/8 × 7 1/4 in. (25.7 × 18.4 cm)
Mount: 12 11/16 × 9 1/16 in. (32.3 × 23 cm)
Credit LineMuseum purchase funded by Mr. and Mrs. B. W. Crain in honor of E. L. Crain, M.D.
Object number85.93
Non exposé

Explore Further

Department
Photography
Object Type
Description

Smith (1918–1978) first gained wide recognition when he was hired by Life Magazine to cover American troops in the Pacific during World War II. After recovering from the wounds he received in the battle for Okinawa, Smith produced four major photographic essays for Life, including his most famous, Country Doctor.


W. Eugene Smith spent weeks immersing himself in the lives of his subjects, a practice that differed from the standard of the time. However, the success of Smith’s pictures with both his editors and the magazine’s public won him the right to spend the time he needed and wanted on each assignment, at least for a while.



The Museum of Fine Arts, Houston, owns nearly a complete version of Smith’s 1948 photographic essay Country Doctor, as it was originally published in Life magazine. Dr. Ernest Ceriani, a physician in private practice in Kremmling, Colorado (population 1,000), was the subject. Smith followed him as he tended to the town’s medical needs, which ranged from stitches for a child kicked by a horse, to draining an infected ear, to basic surgery. Dr. Ceriani’s office had 14 beds and served as the town hospital.


Provenance[Charles Isaacs Photographs, Inc., Malvern, Pennsylvania]; purchased by MFAH, 1985.
Exhibition HistoryEXhibited: Mr. Sandy Parkerson, Houston TX. December 12, 1985, (LN:85.38)

Exhibited "Evocative Presence: Twentieth Century photographs in the Museum of Fine Arts, Houston February 27 - May 1, 1988

"W. Eugene Smith and James Nachtwey," The Museum of Fine Arts, Houston, 14 October 2012 - 1 January 2013.

Inscriptions, Signatures and Marks
verso top left corner in pencil " SPONED[?] "
top right " film / ** / ' cc ' "
lower left in ink " A.E.Woolley, PhD / Collection / Cherry Hill, NJ[enclosed within a rectangle] "
verso lower center two stamps one above the other " CREDIT & COPYRIGHT / © W.EUGENE SMITH / 821 AVE. OF THE AMERICAS / NEW YORK1, N.Y. / TEL. 202 LA 4-6935 "
" THIS PHOTOGRAPH MAY NOT BE / REPRODUCED WITHOUT WRITTEN CONSENT OF / W.EUGENE SMITH "
top edge and bottom right heavy black ink squiggles

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled
W. Eugene Smith
1948
Gelatin silver print
85.94
cropped recto of sheet
W. Eugene Smith
1948
Gelatin silver print
85.98
Untitled
W. Eugene Smith
1961–1962
Gelatin silver print
99.83
Untitled
W. Eugene Smith
1945
Gelatin silver print
2009.1233
Untitled
W. Eugene Smith
1950
Gelatin silver print
85.113
Untitled
W. Eugene Smith
1950
Gelatin silver print
85.114
The Leper, Africa
W. Eugene Smith
1954
Gelatin silver print
2023.635
Marine Demolition Team Blasting Out a Cave on Hill 382, Iwo Jima
W. Eugene Smith
1945
Gelatin silver print
2002.2298
Iwazo Funaba's crippled hands, Minamata
W. Eugene Smith
1971
Gelatin silver print
2021.83
Spanish Women
W. Eugene Smith
1950
Gelatin silver print
2002.2299
Gardia Civil, Spain
W. Eugene Smith
1950
Gelatin silver print
2002.2296