Side Chair (one of a set of six)

CultureAmerican
Titles
  • Side Chair (one of a set of six)
Datec. 1830–1850
Made inNew York , New York, United States
MediumMahogany with chestnut
Dimensions33 3/8 × 18 3/4 × 19 1/2 in. (84.8 × 47.6 × 49.5 cm)
Seat: 16 × 16 in. (40.6 × 40.6 cm)
Credit LineThe Bayou Bend Collection, museum purchase funded by the W. H. Keenan Family Endowment Fund
Object numberB.2007.3.5
Current Location
Bayou Bend Collection and Gardens
Chillman Parlor
Exposé

Explore Further

Department
Bayou Bend
Object Type
Description

This unusual suite of side chairs embodies the final phase of the Classical Revival period in American seating furniture. An aesthetic defined by simplicity and grace, it was widely popular throughout the 1830s and 1840s. In the United States, the style is one that is clearly indebted to the French Restoration and German Biedermeier interpretations introduced by immigrant craftsmen, as well as through the first generation of American design books published by John Hall (Baltimore, 1840) and Robert Conner (New York, 1842).

Chairs in this restrained configuration are surprisingly uncommon, whereas their closely related counterparts with vase-shaped splats and arched backs are exceedingly common. Traditionally, the former has been associated with Joseph Meeks’s or Duncan Phyfe’s shops; however, the simplicity of the form would not discount the possibility of their being fashioned by a number of talented contemporary firms.

The chairs invite comparison with Samuel Foot’s suite of parlor furniture, now at the Metropolitan Museum of Art, and a closely related set of sixteen side chairs which descended in the Van Rensselaer family—both of which are associated with the Phyfe firm. Subtle differences between the two groups, notably the chairs’ figured crotch mahogany veneers, their overall height, and the breadth of the splats, suggests a sense of drama, verticality and delicacy that is lacking in the more grounded Foot and Van Rensselaer suites.


Provenance[Aileen Minor American Antiques, Centreville, Maryland]; purchased by MFAH, 2007.
Inscriptions, Signatures and Marks
Stamped Roman numeral on inside of the front chair rail: XI

Cataloguing data may change with further research.

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Set of Six Side Chairs
c. 1830–1850
Mahogany; chestnut
B.2007.3.1-.6
Side Chair (one of a set of six)
c. 1830–1850
Mahogany; chestnut
B.2007.3.4
Side Chair
c. 1750–1795
Mahogany; eastern white pine
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Armchair
c. 1785–1815
Ash; painted and gilded, composition decoration; original linen and horsehair foundation; gilded brass tacks; and modern silk cover
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Side Chair
c. 1740–1760
Black walnut; soft maple
B.60.51
Side Chair (one of a pair)
c. 1730–1800, decoration added c. 1800–1843
Black walnut; soft maple and eastern white pine
B.69.247.1
scan from file photograph
c.1730–1800, decoration added c. 1800–1843
Black walnut; soft maple and eastern white pine
B.69.247.2
Footstool
c. 1810–1840
Mahogany; white pine, early upholstery foundation
B.2007.4
Pair of Side Chairs
Benjamin Henry Latrobe
1808
Yellow poplar, oak, maple, eastern white pine, gold leaf, gesso, and cane
B.90.9.1,.2
Armchair
c. 1640–1690
Black cherry and hickory
B.98.19
Thebes Stool
Leonard F. Wyburd
c. 1889
Mahogany and leather
2003.251
Music Stool
c. 1810–1815
Mahogany; linen webbing, horsehair, and steel
B.2014.7