Anthony Caro
The Achaians-Xanthos

The Achaians-Xanthos

© Barford Sculptures Ltd

The Achaians-Xanthos
The Achaians-Xanthos
ArtistBritish, 1924–2013
CultureBritish
Titles
  • The Achaians-Xanthos
  • from the series Trojan War
Date1993–1994
PlaceGrasse, France
PlaceLondon, England
MediumStoneware and steel
DimensionsOverall: 69 1/4 × 26 × 15 in. (175.9 × 66 × 38.1 cm)
Credit LineGarth Clark and Mark Del Vecchio Collection, museum purchase funded by the Mary Kathryn Lynch Kurtz Charitable Lead Trust
Object number2007.793.A,.B
Non exposé

Explore Further

Object Type
Description

In the mid-1980s, Sir Anthony Caro contemplated making a war and peace sculpture. The result was his Trojan War series, an installation comprising nearly 40 individual sculptures that depict the story from Homer's Iliad. One of the components—The Achaians-Xanthos—bears all the hallmarks of Caro's best sculpture: linear steel elements; earthy, primitive forms; and a poetic power of composition. Many of the individual works in Trojan War, including The Achaians-Xanthos, feature ceramic elements. The Achaians were people who lived in ancient Greece. Xanthos depicts one of the two immortal horses that drew the chariot of Greek hero Achilles in the story.


Caro is considered one of the most influential figures in post-World War II British art. Early in his career, he worked as an assistant to artist Henry Moore and made figural sculpture. After meeting sculptor David Smith during a 1959 visit to the United States, Caro began to construct abstract metal sculpture using industrial parts. In 1975, Caro was one of the painters and sculptors who worked in the "New Works in Clay" project at Syracuse University. Although not trained as a ceramist, he had worked with ceramics before, and clay has played an important role in Caro's career ever since.


 


ProvenanceThe artist; [Garth Clark Gallery]; purchased by MFAH, 2007.
Exhibition History"The Trojan War," Iveagh Bequest, Kenwood, London, 6 March - 6 April 1994;Yorkshire Sculpture Park, Wakefield, November 1994.

"Anthony Caro," Museum of Contemporary Art, Tokyo, Japan, 1995.

"The Trojan War," The French Institute, Thessalonika and the National Gallery, Athens, Greece, 1997.

"The Trojan War," Marlborough Gallery, New York, 1998.

"The Art Show," The Armory, New York, 21 February - 25 February 2002.

"Collaborations: Hans Spinner," Garth Clark Gallery, New York, February 2002.

"Visitors to Clay," Garth Clark Gallery, New York, 18 January - 8 March 2003.

"Clay Menagerie: Ceramic Animals in Modern and Contemporary Art," The Art Show, The Armory, New York, 24 February - 28 February 2005.

"The Clay Menagerie," Garth Clark Gallery, New York, 3 May - 18 June 2005.

"The Scholar's Eye: Contemporary Ceramics from the Garth Clark and Mark Del Vecchio Collection," The Museum of Fine Arts, Houston, 16 May - 1 September 2008.

"Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection," Museum of Fine Arts, Houston, 4 March - 3 June, 2012.


Inscriptions, Signatures and Marks
Tape strip marked in black: "26", underneath where ceramic piece rests
No visible signature

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Susanna and the Elders
Anthony Caro
2002–2003
Stoneware and steel
2007.794
Orangerie
Anthony Caro
1969
Painted steel
2012.195
Argentine
Anthony Caro
1968
Painted steel
87.290
Night Road
Anthony Caro
1972
Painted steel
73.25
Set III
Marek Cecula
1993
Porcelain and stainless steel
2007.804.A,.B
The Inquisitors
Beth Cavener
2004
Stoneware, porcelain slip, and wood
2007.1072.A-.C
Paper Sculpture #78
Anthony Caro
1982
Mixed media and paper on Tycore
91.1875
Ashanti
Robert Turner
c. 1982
Stoneware
2004.1493.A,.B
Sarah Brown
Louise Radochonski
2003
Stoneware and steel
2007.1025.A,.B
Box
Kawai Kanjirō
c. 1931
Stoneware
2010.2080.A-.C
Richard T. Notkin
1995
Stoneware
2007.1793.A-.J
"Frog Fossil" Teapot
Anthony James Bennett
1985
Earthenware
2007.770.A,.B