Simon Norfolk
Omaha Beach

Omaha Beach

© Simon Norfolk / Gallery Luisotti

Omaha Beach
Omaha Beach
ArtistBritish, born Nigeria, 1963
CultureBritish
Titles
  • Omaha Beach
  • from the series The Normandy Beaches: We Are Making A New World
Date2004, printed 2006
PlaceFrance
MediumChromogenic print
DimensionsImage: 20 × 24 in. (50.8 × 61 cm)
 Sheet: 28 × 33 in. (71.1 × 83.8 cm)
 Frame (outer): 32 7/8 × 36 7/8 × 1 3/4 in. (83.6 × 93.7 × 4.4 cm)
Credit LineMuseum purchase funded by Bari and David Fishel, Brooke and Dan Feather, and Hayley Herzstein in honor of Max Herzstein and a partial gift of the artist and Gallery Luisotti, Santa Monica
Object number2006.554
Non exposé

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Department
Photography
Object Type
Provenance[Gallery Luisotti, Santa Monica, California]; purchased by MFAH, 2006.
Exhibition History"WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath," The Museum of Fine Arts, Houston, 11 November, 2012 - 3 February, 2013.
Inscriptions, Signatures and Marks
Signed in ink on verso lower right within a stamped mark: "Sam Norfolk"
Rectangular stamp on verso lower right with ink additions: "printed under my direct supervision / archival digital c-type print / [signature] / edition number 2/10"

Cataloguing data may change with further research.

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The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
Simon Norfolk
The districts of Wazir Akbar Khan and Sherpur, home to all the NGOs and contractors, occupy the site of the former British fortress from the Second Anglo-Afghan War, ‘the Cantonment’. Glitzy, kitschy ‘poppy-palaces’, flung up in a hectic property boom after the land was illegally re-possessed from squatters, can command rents of $20,000 per week when leased out to Internationals.
2010–2011, printed September 2011
Chromogenic print
2016.224.22
The swimming pool that crowns Tepe Wazir Akbar Khan, built by the Soviets in the 1970s and restored in recent times at great expense by USAID. It is uncertain if it will ever be used.
Simon Norfolk
The swimming pool that crowns Tepe Wazir Akbar Khan, built by the Soviets in the 1970s and restored in recent times at great expense by USAID. It is uncertain if it will ever be used.
2010–2011, printed September 2011
Chromogenic print
2016.224.20
The whole eastern side of Kabul, for miles along both sides of Jalalabad Road is one huge logistics yard capable of supplying the foreign military and rapidly growing embassies with everything they might need from a single cup of coffee right through to an entire airstrip.
Simon Norfolk
The whole eastern side of Kabul, for miles along both sides of Jalalabad Road is one huge logistics yard capable of supplying the foreign military and rapidly growing embassies with everything they might need from a single cup of coffee right through to an entire airstrip.
2010–2011, printed September 2011
Chromogenic print
2016.224.21
A cellphone booster-station built on the wreckage of buildings that once housed a market.
Simon Norfolk
A cellphone booster-station built on the wreckage of buildings that once housed a market.
2010–2011, printed September 2011
Chromogenic print
2016.224.18
Jaw Aka Faizal Nahman and his daughter Nono from Bamiyan province, now living in an improvised plastic shelter in the ruined gardens of Darulaman Palace. Built in the 1920s to house an Afghan parliament, ‘Darul Aman’ translates as ‘abode of peace’.
Simon Norfolk
Jaw Aka Faizal Nahman and his daughter Nono from Bamiyan province, now living in an improvised plastic shelter in the ruined gardens of Darulaman Palace. Built in the 1920s to house an Afghan parliament, ‘Darul Aman’ translates as ‘abode of peace’.
2010–2011, printed September 2011
Chromogenic print
2016.224.19
Entrance to the vast City Star Hall complex of wedding halls, on the new bypass out near Kabul Airport.
Simon Norfolk
Entrance to the vast City Star Hall complex of wedding halls, on the new bypass out near Kabul Airport.
2010–2011, printed September 2011
Chromogenic print
2016.224.16
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
Simon Norfolk
‘The Museum Of The Jihad’ in Herat. In the centre of the tableau of anti-Soviet mujahedeen guerrillas is Ismail Khan, one-time Governor of Herat and minister in the national government. Mythologising their role in the Jihad helps justify their control and ownership of Afghanistan’s modern warlord economy.
2010–2011, printed September 2011
Chromogenic print
2016.224.12
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
Simon Norfolk
The entrance to one of the dining halls at the Sham-e-Paris wedding complex.
2010–2011, printed September 2011
Chromogenic print
2016.224.40