Frédéric Bruly Bouabré
La Rencontre De Deux Continents: L'Amerique et L'Afrique Se Salvant Cordialement

La Rencontre De Deux Continents:  L'Amerique et L'Afrique Se Salvant Cordialement
La Rencontre De Deux Continents: L'Amerique et L'Afrique Se Salvant Cordialement
CultureIvoirian
Titles
  • La Rencontre De Deux Continents: L'Amerique et L'Afrique Se Salvant Cordialement
DateDecember 22, 2005
MediumGraphite and colored pencil on paper
DimensionsSheet: 13 13/16 × 9 13/16 in. (35.1 × 24.9 cm)
Credit LineGift of the artist
Object number2005.172
Non exposé

Explore Further

Provenance Research Ongoing Inscriptions, Signatures and Marks
Marked in ink around image: "<< (red dot) LA RENCONTRE DE DEUX CONTINENTS: L'AMERIQUE ET L'AFRIQUE SE SALUANT CORDIALMENT. VOTRE PARENT, "BRULY" VOUS OFFRE CE "TABLEAU" POUR CÉLÉBRER LA PARENTÉ HUMAINE.>> * * *"

Translation: "The meeting of two continents: America and Africa greet each other cordially. Your friend, Bruly, offers you this "drawing" to celebrate the human relationship."

In ink verso upper center: "DATE: 22-1er-2005"
In ink verso upper center: "SIGNATURE - AUTEUR: / ¦FBBruly¦ / *"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

La Rencontre De L'Europe et De L'Afrique Figurant L'humanisme Universel
Frédéric Bruly Bouabré
December 25, 2004
Graphite and colored pencil on paper
2005.171
Vision Divine de 1940
Frédéric Bruly Bouabré
2005
Series of eight graphite and colored pencil on paper drawings
2005.170.A-.H
Untitled (Plant Studies)
Al Taylor
1998
Graphite, colored pencil, grease pencil, and spray fixative on wove paper
2002.3445
Yellow Sleep
Kurt Kemp
2001
Collage of cut printed paper, paper tags and folders, and tracing paper with monotype, graphite, colored pencil, acrylic paint, etching and aquatint, watercolor, charcoal, ink, and ballpoint pen on cut board
2001.765
Study for Brooch
Claus Bury
1974
Graphite, colored pencil, and paper cutouts on paper
2002.3666
Worksheet for Erasing Days #17
Carl Palazzolo
2021
Gesso, ink, graphite, colored pencil, metallic paint, fluorescing yellow acrylic paint, pressure-sensitive tape on two joined sheets of white wove watercolor paper with optical brighteners, and Yellow Post-It Note
2023.221
Portfolio contents
Tom Patti
1982–1984
Paper, colored pencil, graphite, gelatin silver prints, newsprint, and vinyl portfolio
2023.267.A-.D
Vertical 85° Sculpture
Michael Heizer
1983
Gouache, oil pastel, colored pencil, graphite, acrylic spray paint, and screenprinted photograph on paper
91.1865
Two Views
Judith Shea
1984
Colored pencil and graphite on paper
93.286
Study for "Bright Figure Over a Low Bad Land" Brooch and Stand
Bruce Metcalf
1977–1978
Graphite, colored pencil, and ink on paper
2005.207.A,.B