Bernhard Schobinger
"Scherben vom Moritzplatz Berlin" Necklace

"Scherben vom Moritzplatz Berlin" Necklace

© Artists Rights Society (ARS), New York / ProLitteris, Zürich

"Scherben vom Moritzplatz Berlin" Necklace
"Scherben vom Moritzplatz Berlin" Necklace
CultureSwiss
Titles
  • "Scherben vom Moritzplatz Berlin" Necklace
  • "Broken Pieces from Moritzplatz Berlin" Necklace
Date1983–1984
MediumAntique crystal beads, television bulbs, German Coca-Cola bottle, silver, and steel wire
DimensionsOverall: 8 × 6 × 1 in. (20.3 × 15.2 × 2.5 cm)
Credit LineHelen Williams Drutt Collection, museum purchase funded by Gail and Louis K. Adler in honor of Fayez Sarofim
Object number2002.4062
Current Location
The Nancy and Rich Kinder Building
Gallery 309
Exposé

Explore Further

Description

Constructed from a set of antique crystal beads interspersed with shards of German Coca-Cola bottles and television bulbs, Bernhard Schobinger's "Scherben vom Moritzplatz Berlin" Necklace juxtaposes the past with the present, violence with delicacy. It also offers commentary on Germany's political history and contemporary consumer culture. According to the artist, the pieces of broken glass were found in Berlin’s Moritzplatz. Located directly in front of the Berlin Wall, Moritzplatz was the favored gathering place of German "Neue Wilden” (New Wilds) artists and punks. In the late 1970s, Schobinger had begun to work with found objects encountered in daily life. For years, he amassed and stored this cultural detritus in his studio until he found uses for the various objects, a process that allowed him to create jewelry with layered and complex meanings. The artistic movements of Dada and Surrealism also played a defining role in shaping Schobinger’s aesthetic. Often his messages came in the form of social criticism; at other times, such as with the "Scherben vom Moritzplatz Berlin" Necklace, they reflected the turbulent political climate of Europe, both past and present.


 


Provenance[Rezac Gallery, Chicago]; acquired by Helen Williams Drutt English; purchased by MFAH, 2002.
Exhibition History"10 Goldsmiths," Rezac Gallery, Chicago, May 4–July 1, 1988.

"Korun Kieli (The Language of Jewelry), 1964-1992," Röhsska Konstslöjdmuseet, Gothenberg, Sweden, November 28, 1992–January 10, 1993; Taideteollisuusmuseo, Helsinki, March 12–April 12, 1995.

"Contemporary Jewelry: 1964-1993, Selected Works, Helen Williams Drutt Collection," Arkansas Art Center Decorative Arts Museum, Little Rock, October 8–November 21, 1993.

"Schmuck Unserer Zeit, 1964-1993, Sammlung Helen Williams Drutt, USA," Museum Bellerive, Zürich, February 10–May 1, 1994.

"A Moveable Feast: Helen Williams Drutt Collection 1964-1994," Stedelijk Museum, Amsterdam, November 18, 1994–January 8, 1995; Museum voor Moderne Kunst, Ostend, Belgium; June 17–September 24, 1995.

"Beyond Ornament: Contemporary Jewelry from the Helen Williams Drutt Collection," Museum of Fine Arts, Houston, August 16, 2003–February 29, 2004.

"Ornament as Art: Avant-Garde Jewelry from the Helen Williams Drutt Collection," Museum of Fine Arts, Houston, September 30, 2007–January 27, 2008; Smithsonian American Art Museum, Washington, March 14–July 6, 2008; Mint Museum of Craft and Design, Charlotte, August 16, 2008–January 4, 2009; Tacoma Art Museum, Washington, June 27–September 13, 2009.

"Postmodernism: Style and Subversion 1970–1990," Victoria and Albert Museum, London, September 24, 2011–January 15, 2012; Museo di arte moderna e contemporanea di Trento e Rovereto, Italy, February 25–June 3, 2012.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Necklace
Bernhard Schobinger
1994
Tin, quartz, iron, gold, copper wire, metal sheet from steel, paint, and ink
2002.4065
Neon Wrapping Incandescent
Keith Sonnier
1969
Incandescent bulbs with porcelain fixtures and neon tubing, electrical wire, and electrical transformer
2015.89
85 Lamps
Rody Graumans
Designed 1993, made 1997
Wire and bulbs
97.225
Studio A.R.D.I.T.I.
designed 1971, made c. 1971–73
Lacquered wood, chromed steel, steel wire, Perspex, magnets and bulbs
2019.322
Transparent Migrations
Amalia Mesa-Bains
2001
Mirrored armoire, 16 glass leaves, wire armatures, small gauze dress, lace mantilla, assorted crytal miniatures, shattered safety glass
2019.28
"Edelstein mit Stacheldraht" [Jewels with Barbed Wire] Necklace
Bernhard Schobinger
1990
Amethyst, rose quartz, hematite, and copper
2002.4063
"Gekrönte Häupter und Vajra" [Crowned Heads and Vajra] Bracelet and Box
Bernhard Schobinger
1999
750 white and yellow gold, glass, turquoise, lapis lazuli, and diamonds
2002.4067.A,.B
"Schlange spielt mit Perle" [Snake Plays with Pearl] Armpiece
Bernhard Schobinger
1995
Iron, gold, cultured pearl, black diamonds, malachite, and cinober fragments
2002.4066
"Lippenstift für Neandertalerin" [Lipstick  for Neanderthal Woman] Ring
Bernhard Schobinger
1991
Copper, carborundum, silver, and gold
2002.4064
Front overall
Bernhard Schobinger
1987
Porcelain and nylon
2023.624
Image provided by MFAH Conservation
Gregorio Vardanega
1963–1979
Metal, light bulbs, and electric motor
2013.665.A-.G
Espaces chromatiques carrées en spirale
Gregorio Vardanega
1968
Plexiglas, light bulbs, and motor
2010.173