Artist
Luís Sacilotto(Brazilian, 1924–2003)Brazilian, 1924–2003
CultureBrazilian
Titles
- Concreção 6045
- Concretion 6045
Date1960
PlaceBrazil, South America
MediumPainted iron
Dimensions12 1/4 × 35 1/2 × 15 1/2 in. (31.1 × 90.2 × 39.4 cm)
Credit LineThe Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
Object number2007.24
Current Location
The Nancy and Rich Kinder Building
Gallery 204
Exposé
Explore Further
Department
Latin American ArtSpecial Collections
Object Type
esculturas de Sacilotto consisten en doblar una forma en varios planos tridimensionales.
Concreção 6045 involucra tres
cuadrados colocados perpendicularmente a la pared, separados en tiras alternas
desdobladas desde el centro. Al caminar en torno a la pieza el observador, cada
cuadrado original semeja tres triángulos. Valiéndose de principios simples de
líneas equivalentes y alternas, la obra privilegia la percepción del observador
que une los triángulos recortados en un nuevo cuadrado perpendicular al
primero.
ProvenanceThe artist; [...]; Adolpho Leiner, São Paulo; sold to MFAH, 2007.
Exhibition History"Prêmio Leirner de Arte Contemporânea," Galeria de Arte das Folhas, São Paulo, October, 1960.
"Sacilotto: expressões & concreções," Museu de Arte Moderna de São Paulo, September–October, 1980.
"Tradição e Ruptura," Fundação Bienal de São Paulo, November, 1984–January, 1985.
"Arte construtiva no Brasil: Coleção Adolpho Leirner," Museu de Arte Moderna de São Paulo, October–December, 1998; Museu de Arte Moderna do Rio de Janeiro, January–March, 1999.
"Mostra do redescobrimento: arte moderna - Brasil 500 anos artes visuais," Fundação Bienal de São Paulo, April–September, 2000.
"Século 20: arte do Brasil," Fundação Calouste Gulbenkian, Lisbon, October, 2000–January, 2001.
"Brazil: Body & Soul," Solomon R. Guggenheim Museum, New York, October, 2001–January, 2002.
"Cuasi-corpus: arte concreto y neoconcreto de Brasil," MARCO Museo de Arte Contemporáneo, Monterrey, Mexico, July–October, 2003; Museo Tamayo Arte Contemporáneo, Mexico City, February–June, 2003.
"Inverted Utopias: The Avant-Garde in Latin America, 1920–1970," Museum of Fine Arts, Houston, June 20–September 12, 2004.
"Dimensions of Constructive Art in Brazil: The Adolpho Leirner Collection," Museum of Fine Arts, Houston, May 20–September 23, 2007.
"North Looks South: Building the Latin American Art Collection," Museum of Fine Arts, Houston, June 7–September 27, 2009.
"Adolpho Leirner Collection of Brazilian Constructive Art," Haus Konstruktiv, Zürich, November 12, 2009–February 21, 2010.
"Constructed Dialogues: Concrete, Geometric, and Kinetic Art from the Latin American Art Collection," Museum of Fine Arts, Houston, September 16, 2012–January 6, 2013.
Inscriptions, Signatures and Marks
Marked on verso frame: "CONCREÇÃO 6045"
Marked in ink on the base: "Sacilotto 960"
Marked on framework: "Concrecao 6045"
Marked on framework: "Concrecao 6045"
4 printed labels on verso- see accession folder for photocopies:
1. "TRADOÇÃO / RUPTURA..."
2. "49 / Luís Sacilotto..."
3. "L. Sacilotto / Concreção 6045, déc. 50 / ..."
4. "Adol...[not visible] Rua Ba..."
1. "TRADOÇÃO / RUPTURA..."
2. "49 / Luís Sacilotto..."
3. "L. Sacilotto / Concreção 6045, déc. 50 / ..."
4. "Adol...[not visible] Rua Ba..."
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
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