Waldemar Cordeiro
Cartaz e convite para Primeira Exposição Nacional de Arte Concreta

Cartaz e convite para Primeira Exposição Nacional de Arte Concreta

© Família Cordeiro; © Valter Sacilotto

Cartaz e convite para Primeira Exposição Nacional de Arte Concreta
Cartaz e convite para Primeira Exposição Nacional de Arte Concreta
ArtistBrazilian, born Italy, 1925–1973
ArtistBrazilian, 1924–2003
CultureBrazilian
Titles
  • Cartaz e convite para Primeira Exposição Nacional de Arte Concreta
  • Poster and invitation for the First National Exhibition of Concrete Art
Date1956
PlaceBrazil, South America
MediumLetterpress and typewriter ink and postage stamps on wove paper
DimensionsSheet (.A poster): 18 5/8 × 12 11/16 in. (47.3 × 32.2 cm)
Sheet (.B invitation): 8 7/8 × 8 1/8 in. (22.5 × 20.6 cm)
Credit LineThe Adolpho Leirner Collection of Brazilian Constructive Art, museum purchase funded by the Caroline Wiess Law Accessions Endowment
Object number2007.17.A,.B
Non exposé

Explore Further

Description

The Adolpho Leirner Collection of Brazilian Constructive Art

Related ICAA documents:

Lothar Charoux et al., “Ruptura,” 1952 (record ID 771349)

Lothar Charoux, "Ruptura," 1952 (record ID 1232213)

Waldemar Cordeiro, "Ruptura," 1953 (record ID 1085337)

Lourival Gomes Machado, "Ainda não é amanhã,"  (record ID 1110722)


ProvenanceThe artist; [...]; Adolpho Leirner, São Paulo; sold to MFAH, 2007.
Exhibition History"Exposição Nacional de Arte Concreta," Museu de Arte Moderna, São Paulo, December 4–18, 1956.

"Inverted Utopias: The Avant-Garde in Latin America, 1920–1970," Museum of Fine Arts, Houston, June 20–September 12, 2004.

"Dimensions of Constructive Art in Brazil: The Adolpho Leirner Collection," Museum of Fine Arts, Houston, May 20–September 23, 2007.

"Adolpho Leirner Collection of Brazilian Constructive Art," Haus Konstruktiv, Zürich, November 12, 2009–February 21, 2010.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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