Sèvres Porcelain Manufactory
Bust of Madame du Barry

CultureFrench
Titles
  • Bust of Madame du Barry
Datec. 1771–1773
Made inFrance
MediumSoft-paste porcelain
Dimensions12 3/4 × 8 1/2 × 5 in. (32.4 × 21.6 × 12.7 cm)
Credit LineThe Rienzi Collection, museum purchase funded in memory of Caroline Wiess Law by The Brown Foundation, Inc., Isla and Tommy Reckling, Mrs. James Anderson, Jr., James A. Elkins, Jr., Mr. and Mrs. J. Cooke Wilson, Jr., Fayez Sarofim, James and Elise Reckling, Mr. and Mrs. A. Leslie Ballard, Jr., Mrs. Fred T. Couper, Jr., Mary Criner Blake, Alfredo and Celina Hellmund Brener, Rosslyn and Marshall Crawford, Ellen and Ed Randall III, Mr. and Mrs. Cliffe Reckling, Wilhelmina and Ed Smith, Jr., Mrs. Harold Stream, Jr., Sue and Bill Whitfield, Isabel B. Wilson, Jas A. Gundry, Betty Lou and John Carter, Jr., Joan and Irvin L. Levy, Harry Masterson IV, Alice C. Simkins, Mr. and Mrs. Thomas D. Anderson, Kitty Neuhaus, Buddy English, Jr., Fran Fauntleroy, Katherine S. and George E. Howe, Carolyn and Harry Hudson, Mrs. Joseph C. Hutcheson III, Barbara and John Riddell, Jr., Mr. and Mrs. Wayne Wickman, and Caroline Rotan
Object number2004.819
Current Location
Rienzi
Drawing Room
Exposé

Explore Further

Department
Rienzi
Object Type
Description

This elegant portrait bust depicts Marie-Jeanne Bécu, who was the Comtesse du Barry from 1743 to 1793. Famous for being the favorite mistress of France's King Louis XV, she was also a major patron of the arts. During her reign as official royal mistress, many portraits of Madame du Barry were undertaken by leading artists. Celebrated French sculptor Augustin Pajou, for example, rendered du Barry´s portrait in terra cotta.


Sèvres, the royal porcelain factory, re-created Pajou's design in porcelain. Rienzi´s version of the bust, made in the early 1770s, was most likely intended as a gift to an admirer or a deserving member of du Barry´s entourage. Her great beauty is accentuated by the delicate rendering of her features and hair. She is clothed in Neoclassical drapery, and her countenance is elegant, regal, and restrained. Sèvres portrait busts are exceedingly rare, especially those of royal subjects. Only two other examples of this particular model, currently in French museums, are known.


ProvenanceAmerican private collection, 1940s; [Adrian Sassoon, London]; purchased by MFAH, May, 2004.
Inscriptions, Signatures and Marks
On verso just above base, "SP" or "B"

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Dinner Plate
Sèvres Porcelain Manufactory
1778
Soft-paste porcelain
2002.39
Plate
Sèvres Porcelain Manufactory
1784
Soft-paste porcelain
2008.349
Vase
Joseph-Théodore Deck
c. 1880
Earthenware with glaze
2009.520
Arearea (Joyfulness) II
Paul Gauguin
1894
Gouache and watercolor on linen
77.372
This image to be used for all electronic media (website, social media, email)
Eugène Delacroix
c. 1832–34
Oil on canvas
2019.274
Overall front.
c. 1750–1760
Porcelain and gilt bronze
2021.362.A,.B
Milk Jug
Worcester Porcelain Manufactory
c. 1775
Soft-paste porcelain
79.206
Teapot, Cover, and Stand
Worcester Porcelain Manufactory
c. 1765
Soft-paste porcelain
87.79.1,.2
Tea Bowl
Worcester Porcelain Manufactory
1775
Soft-paste porcelain
88.347.1
Saucer
Worcester Porcelain Manufactory
1775
Soft-paste porcelain
88.347.2
Sketchbook
George Romney
September 1783
Book with pen and sepia ink, brush and sepia wash, black chalk and graphite on laid paper
78.187
Rebecca Salsbury James
Kurt W. Baasch
c. 1930
Gelatin silver print
2002.593