Francisco de Goya
The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14

The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14

Public Domain

The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14
ArtistSpanish, 1746–1828
CultureSpanish
Titles
  • The Clever 'Student of Falces' Infuriates the Bull by Moving about Wrapped in his Cloak, Plate 14
  • from La Tauromaquia (The Art of Bullfighting)
Date1814–1816
PlaceSpain
MediumEtching with burnished aquatint and engraving on laid paper
DimensionsPlate: 10 1/4 × 13 13/16 in. (26 × 35.1 cm)
 Sheet: 10 13/16 × 14 7/8 in. (27.5 × 37.8 cm)
Credit LineGift of George Bunker
Object number81.167
Non exposé

Explore Further

Department
Prints and Drawings
Object Type
Provenance Research Ongoing Exhibition History"Acid on Metal: The Art of Etching and Aquatint," Museum of Fine Arts, Houston, 11 September - 27 November 2011.

Cataloguing data may change with further research.

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Nadie nos ha visto. (No one has seen us)
Francisco de Goya
Nadie nos ha visto. (No one has seen us)
1799
Etching and burnished aquatint with engraving on laid paper
2023.140
The Cid Campeador Attacking a Bull with His Lance, Plate 11
Francisco de Goya
The Cid Campeador Attacking a Bull with His Lance, Plate 11
1814–1816
Etching and aquatint with engraving on laid paper
81.168
Hasta la muerte (Until Death), Plate 55
Francisco de Goya
Hasta la muerte (Until Death), Plate 55
published 1799, first edition
Etching, aquatint with burnishing, and drypoint on laid paper
80.44
Overall recto
Francisco de Goya
Están calientes (They are hot), Plate 13
1799
Etching, aquatint and burnishing on laid paper, from the 1st published edition
2021.86
El sueño de la razon produce monstruos (The sleep of reason produces monsters)
Francisco de Goya
El sueño de la razon produce monstruos (The sleep of reason produces monsters)
1799
Etching and aquatint printed in grayish-black ink on laid paper with deckle edges, 1st edition
2022.284
El Vergonzoso (The shamefaced one)
Francisco de Goya
El Vergonzoso (The shamefaced one)
1799
Etching and aquatint on laid paper
2023.139
El esforzado Rendon picando un toro, de cuya suerte murio en la plaza de Madrid (The Forceful Rendon biting a bull, whose luck died in the arena in Madrid), Plate 28 from La Tauromaquia
Francisco de Goya
El esforzado Rendon picando un toro, de cuya suerte murio en la plaza de Madrid (The Forceful Rendon biting a bull, whose luck died in the arena in Madrid), Plate 28 from La Tauromaquia
1816
Etching on paper
BF.1980.11
¿Si sabra más el discípulo? (Might the pupil know more?), Plate 37
Francisco de Goya
¿Si sabra más el discípulo? (Might the pupil know more?), Plate 37
first published 1799
Etching and aquatint
93.175
This is how it happened (Así sucedió) from the series The Disasters of War (Los Desastres de la Guerra)
Francisco de Goya
This is how it happened (Así sucedió) from the series The Disasters of War (Los Desastres de la Guerra)
1810–1820/1863
Etching with aquatint
BF.1979.69
Vain laments (Clamores en vano) from the series The Disasters of War (Los Desastres de la Guerra)
Francisco de Goya
Vain laments (Clamores en vano) from the series The Disasters of War (Los Desastres de la Guerra)
1810–1820/1863
Etching with aquatint
BF.1979.76
I saw it (Yo lo vi) from the series The Disasters of War (Los Desastres de la Guerra)
Francisco de Goya
I saw it (Yo lo vi) from the series The Disasters of War (Los Desastres de la Guerra)
1810–1820/1863
Etching with aquatint
BF.1979.66
Great deeds! Against the dead! (Grande hazaña! Con muertos!) from the series The Disasters of War (Los Desastres de la Guerra)
Francisco de Goya
Great deeds! Against the dead! (Grande hazaña! Con muertos!) from the series The Disasters of War (Los Desastres de la Guerra)
1810–1820/1863
Etching with aquatint
BF.1979.61