Étienne-Jules Marey
Movements in Pole Vaulting

CultureFrench
Titles
  • Movements in Pole Vaulting
  • Successive phases of the pole vault
Datec. 1890
MediumGelatin silver print
DimensionsImage: 8 3/4 × 19 1/4 in. (22.2 × 48.9 cm)
Sheet: 8 3/4 × 19 1/4 in. (22.2 × 48.9 cm)
Credit LineMuseum purchase funded by the Brown Foundation Accessions Endowment Fund, The Manfred Heiting Collection
Object number2004.586
Non exposé

Explore Further

Department
Photography
Object Type
Description

Using a process that made multiple exposures on a single
photographic plate in rapid succession, Étienne-Jules Marey could capture the visible traces of an entire movement in
regular intervals and study that action at a level of detail not attainable by
earlier photographic technologies. Although his studies were meant to help
understand how specific actions might be carried out more efficiently and
effectively, Marey’s photographs also foreshadow the revolutionary appearance
of Marcel Duchamp’s Nude Descending a
Staircase
(1912) or the work of the Italian Futurist painters, extending
the two dimensions of a picture into the fourth dimension of time.




ProvenanceEx-collection David Hill, Paris; ex-collection Frank Kolodny, Princeton; Gerald Peters Gallery, Santa Fe.

Bought by Manfred Heiting from Gerald Peters Gallery, Santa Fe, on 10/8/1988.
Exhibition HistoryAvant le Cinematographie: La Cronophotographie; La Chapelle de l'Oratoire, Beaune, France, 1984.

“A History of Photography II: Selections from the Museum's Collection,” The Museum of Fine Arts, Houston, March 17–July 19, 2015.
Inscriptions, Signatures and Marks
There are no evident marks or inscriptions.
There is no evident signature.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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