Cindy Sherman
Untitled Film Still #52

Untitled Film Still #52

© Cindy Sherman, courtesy of the artist and Metro Pictures

Untitled Film Still #52
Untitled Film Still #52
ArtistAmerican, born 1954
CultureAmerican
Titles
  • Untitled Film Still #52
Date1979
MediumGelatin silver print
DimensionsImage: 6 1/2 × 9 7/16 in. (16.5 × 24 cm)
Sheet: 8 × 9 15/16 in. (20.3 × 25.3 cm)
Credit LineMuseum purchase funded by the Karen and Eric Pulaski Philanthropic Fund of the Houston Jewish Community Foundation
Object number2001.206
Non exposé

Explore Further

Department
Photography
Object Type
Description


Cindy Sherman’s Untitled Film Stills were at the forefront of post-modern photographic practice when she made them in the late 1970s. In the series, which comprises70 photographs, Sherman photographed herself in different settings and utilized costumes and gestures meant to evoke films of the 1950s and 1960s. However, despite the specificity suggested within the pictures and title conventions, the scenes are fabricated, inviting confusion, misrecognition, and open-ended narratives. By employing the conventions of popular imagery void of reference to actual sources, Sherman upended the representational abilities of photography and critiqued its role in perpetuating socially prescribed gender roles.









Provenance[Metro Pictures, New York and Sandroni Rey Gallery, Los Angeles]; purchased by MFAH, 2001.
Exhibition HistoryExhibited: "Contemporary Art and Photography: Spotlight on the Collection of the Museum of Fine Arts, Houston," MFAH, Upper Brown Pavilion, September 30, 2001 -February 3, 2002.

"Ruptures and Continuities: Photography Made after 1960 from the MFAH Collection," Museum of Fine Arts, Houston, Brown Foundation Galleries, February 21 - May 9, 2010.

"Self, Model, and Self as Other," The Museum of Fine Arts, Houston,13 July – 29 September, 2013.
Inscriptions, Signatures and Marks
Signed in pencil, verso, lower center: Cindy Sherman // 9/10 1979
Inscribed in pencil, verso, center: 53 4
Signed in pencil, verso, lower center: Cindy Sherman

Cataloguing data may change with further research.

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