Brice Marden
Blonde

Blonde

© Brice Marden / Artists Rights Society (ARS), New York

Blonde
Blonde
ArtistAmerican, 1938–2023
CultureAmerican
Titles
  • Blonde
Date1970
PlaceNew York, New York, United States
MediumOil and beeswax on canvas
DimensionsOverall: 69 1/8 × 51 3/8 × 2 1/16 in. (175.6 × 130.5 × 5.2 cm)
Three canvases (each): 69 × 17 × 2 1/16 in. (175.3 × 43.2 × 5.2 cm)
Credit LineMuseum purchase funded by the Caroline Wiess Law Accessions Endowment Fund
Object number2001.72
Non exposé

Explore Further

Object Type
Description

In this three-panel painting, Brice Marden creates an abstract portrait of his wife, Helen Harrington Marden, herself an artist. Her height and shoulder width determine each panel's dimensions, and the title of the work—Blonde—references her hair color.


Throughout his career, Marden has demonstrated the importance of pure painting. In the late 1960s, he established his signature monochromatic style, bridging the painterly qualities of Abstract Expressionism with the pared-down sensibility of Minimalism.


In Blonde, Marden eliminated any linear or drawing elements from the monochromatic composition; by joining three panels, however, the space between the components comes to function as drawing. Silently luminous, Blonde balances a dense surface, ripe with pictorial incident, with formal simplicity. Having reduced the composition to blocks of uninflected color, Marden makes each panel mutely its own.


ProvenanceThe artist; [Bykert Gallery, New York]; J. Frederick Byers, New York; Private collection, New York (acquired 1974); [Matthew Marks Gallery, New York]; purchased by the MFAH, 2001.
Exhibition History"A Spirited Vision: Highlights of the Bequest of Caroline Wiess Law to the Museum of Fine Arts, Houston," the Museum of Fine Arts, Houston, February 22–April 25, 2004.

“Acquisitions of the Last Five Years: Selections of Modern and Contemporary Art,” The Museum of Fine Arts, Houston, July 15–October 15, 2005.

"Modern and Contemporary Masterworks from the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, December 8, 2007–March 2, 2008.

"Contemporary Art from the Museum's Collection," The Museum of Fine Arts, Houston, Summer 2014.

Inscriptions, Signatures and Marks
Verso: Each panel is inscribed similarly in black, top center: BLONDE / 3 PANELS / 69" x 51 1/4" / 1970 [print]

Verso: Each panel is inscribed in black, at center and again at bottom center: JOIN [with a directional arrow to indicate the points where the canvases are joined together]
Verso: Signed in black, top center of the proper left panel: B. Marden [cursive]
Verso: There are remnants of four labels, preserved in cellophane and mounted at the center of the backboard:
The 7 Santini Brothers / Fredrick Byers / 10 East 53rd St / NYC / For / M.O.M.A.

Brice Marden on 1 Dec 1 1972 / Two Trees

1806

74.819

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Untitled (Red, Yellow, Blue)
Jasper Johns
1984
Encaustic on canvas
2000.421
Folding Screen
Antoine Paillet
c. 1675
Oil on canvas; wood and iron (frame)
2023.110
Stations of the Spectrum: Primary Colors
Jo Baer
1964–1974
Oil on canvas
77.6
1, 2, 3!
Elizabeth Murray
1984
Oil on canvas
2007.624
Museum Piece
Mark Flood
1989/1991
Screenprint on canvas
91.315
Shrike
Madeline O'Connor
1993
Metal powder and acrylic on canvas
94.244.A-.I
Untitled (Barranca)
David Novros
1973
Oil on canvas
74.263.A-.C
A Quarter Circle Not Totally within a Rectangle and a Square
Robert Mangold
1976
Acrylic and crayon on canvas
79.12.A,.B
Holocaust Triptych No. 1
Cleve Gray
1989
Acrylic on canvas
91.1420
Build A Structure Here...But/If/Then
Sergio Torres-Torres
2009
Acrylic and graphite on canvas
2009.546.A-.C