Artist
Richmond Barthé(American, 1901–1989)American, 1901–1989
CultureAmerican
Titles
- Feral Benga (Benga: Dance Figure)
Date1935
PlaceNew York, New York, United States
MediumBronze
Dimensionsbronze: 19 × 6 3/4 × 4 1/2 in. (48.3 × 17.1 × 11.4 cm)
attached marble base: 1 1/4 × 6 in. diameter (3.2 × 15.2 cm)
attached marble base: 1 1/4 × 6 in. diameter (3.2 × 15.2 cm)
Credit LineMuseum purchase funded by the African American Art Advisory Association
Object number2000.245
Current Location
The Nancy and Rich Kinder Building
Gallery 203
Exposé
Explore Further
Department
American ArtObject Type
Renaissance, Richmond Barthé encountered
François “Feral” Benga, a Senegalese cabaret
dancer, in Paris in 1934. Barthé began modeling
Feral Benga immediately after his return to
New York, rendering the figure with an Art
Deco sinuousness that captures the dancer’s
grace and deliberate exoticism. James A. Porter
wrote admiringly of Barthé in 1943: “[His works]
are so close to perfection of statement that their
effect on the spectator is transporting.”
ProvenanceOriginal owner: Armando Solis
from thence to the Stella Jones Gallery, New Orleans
Exhibition History"African-American Advisory Association (Five-A)" at the Museum of Fine Arts, Houston, March 2 to April 7, 2003.
"African-American Art in the Collection of the Museum of Fine Arts, Houston", The Museum of Fine Arts, Houston, February 22, 2004 - May 9, 2004.
"Houston Collects: African American Art," The Museum of Fine Arts, Houston, Upper Brown Pavilion, July 31-October 26, 2008.
"American Made: 250 Years of American Art at the Museum of Fine Arts, Houston," The Museum of Fine Arts, Houston, 7 July 2012 - 2 January 2013.
"Statements: African American Art from the Museum's Collection," The Museum of Fine Arts, Houston, Millennium Gallery, January 24–September 25, 2016.
Inscriptions, Signatures and Marks
The sculpture is signed on the bronze base: "BARTHÉ [copyright symbol] 1986 A/P"
Engraved on the underside of the marble base: "3"
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
late 19th–early 20th century
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Jan Sluijters
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Charcoal, pastel, and gouache on paper
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Solomon Proops
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Book with 31 folios including woodcuts and copperplate engravings in a modern calf, gilt-tooled and blind-tooled binding with modern paper flyleaves and pastedowns, housed in a modern green leather covered slipcase
2023.39