Artist
James Gillray (English, 1757–1815)English, 1757–1815
Titles
- A Peep at Christies; _or_ Tally-ho, & His Nimeney-Pimmeney Taking the Morning Lounge
Date1796
MediumEtching and aquatint, hand colored
Dimensions354 × 253 mm
Plate or block: 13 7/8 × 10 in. (35.2 × 25.4 cm)
Sheet (sheet): 13 15/16 × 9 15/16in. (35.4 × 25.2cm)
Plate or block: 13 7/8 × 10 in. (35.2 × 25.4 cm)
Sheet (sheet): 13 15/16 × 9 15/16in. (35.4 × 25.2cm)
Credit LineSarah Campbell Blaffer Foundation, Houston
Object numberBF.1997.31
Non exposé
Explore Further
Department
Sarah Campbell Blaffer FoundationObject Type
Exhibition History"The Art of Exaggeration," The Museum of Fine Arts, Houston, 1 July - 23 September, 2012.
Inscriptions, Signatures and Marks
Inscriptions: on picture frame at left: Susan[nah and the] Elders; on picture frame at upper right: Zenocrates & Phryne; on picture frame at lower right: The Death; on the open volume: Catalogue; in margin below image: J.s G.y ad vivam fecit / Pub. Sept. 24th 1796. by H. Humphrey, New Bond Street / A Peep at Christies; _or_Talley-ho, & his Nimeney-pimmeny taking / the Morning Lounge.
Cataloguing data may change with further research.
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James Gillray
1798
Hand-colored etching on paper
75.115
James Gillray
January 5,1803
Hand-colored etching and aquatint on wove paper with secondary support on all edges
74.237
James Gillray
published July 1788
Hand-colored etching and aquatint on laid paper
74.245
James Gillray
1799
Etching and engraving with publisher's color
BF.1999.34
Francisco de Goya
c. 1816–1864
Etching and aquatint
BF.1980.12
Paul Gavarni
1838
Lithograph with period hand-colouring and egg-white or gum arabic
BF.2004.3
Paul Gavarni
1838
Lithograph with period hand-colouring and egg-white or gum arabic
BF.2004.4
Nathaniel Hill
1754
Paper maché, engraving on paper with hand-coloring, housed in a fish skin case
BF.2012.3.A,.B
1558/1559
Rubbed impression with losses in plum-colored wax
BF.1986.22
