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Writing-arm Chair
Ebenezer Tracy
c. 1770–1803
Eastern white pine, yellow-poplar, soft maple, white oak, chestnut, and butternut
B.69.409
Conversion of Onesimus
Benjamin West
c. 1780
Pen, ink, and sepia wash on paper
B.67.26
Noah Sacrificing
Benjamin West
probably 1797–1801
Pen, ink, and sepia wash on paper
B.67.25
Study for "The Siege of Gibraltar" (Study for a Figure on a Cannon in the Longboat)
John Singleton Copley
c. 1785–1786
Black and white chalk on gray-blue paper
B.54.30
Study for "The Siege of Gibraltar" (Study of Figures Pulling on a Rope)
John Singleton Copley
c. 1785–1786
Black and white chalk on gray-blue paper
B.54.29
Study for "The Siege of Gibraltar" (Study of Rescued Figure and Two Figures Pulling on an Oar)
John Singleton Copley
c. 1785–1786
Black and white chalk on gray-green paper
B.54.28
Study for "The Siege of Gibraltar" (Study of Lieutenant Colonel Lindsay and Figures Pulling on a Rope)
John Singleton Copley
c. 1786–1787
Graphite and black and white chalk on gray-blue paper
B.54.27
Study for William Murray, First Earl of Mansfield
John Singleton Copley
c. 1782–1783
Graphite and black and white chalk on blue-gray paper
B.54.26
Portrait of Sarah Henshaw (Mrs. Joseph Henshaw, 1736–1822)
John Singleton Copley
c. 1770
Pastel on paper, mounted on linen
B.54.25
Portrait of Elizabeth Byles (Mrs. Gawen Brown, 1737–1763)
John Singleton Copley
1763
Pastel on laid paper, mounted on bleached plain-weave linen
B.54.21
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