Brice Marden
Proof of first state of 21

Proof of first state of 21

© Brice Marden / Artists Rights Society (ARS), New York

Proof of first state of 21
Proof of first state of 21
ArtistAmerican, 1938–2023
CultureAmerican
Titles
  • Proof of first state of 21
  • from Etchings to Rexroth
Date1986
PlaceNew York, NY, United States
MediumSugar lift aquatint, open-bite, and scraping on wove paper
DimensionsPlate: 8 1/16 × 7 in. (20.5 × 17.8 cm)
 Sheet: 19 × 16 in. (48.3 × 40.6 cm)
Credit LineThe Peter Blum Edition Archive, 1980-1994, gift of Peter Blum/Blumarts, Inc., New York
Object number96.207
Non exposé

Explore Further

Department
Prints and Drawings
Object Type
Provenance[Peter Blum Gallery, Blumarts Inc., New York, by 1996]; purchased by MFAH, 1996.
Exhibition History"Singular Multiples: The Peter Blum Edition Archive, 1980–1994," Museum of Fine Arts, Houston, April 23–October 15, 2006.

"Proof of Concept: Artistic Process in Contemporary Printmaking, Selections from the Museum’s Collection," Museum of Fine Arts, Houston, January 9–November 15, 2020.
Inscriptions, Signatures and Marks
Verso marked in pencil, lower left: "MARD 103".

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

Proof of first state of 19
Brice Marden
Proof of first state of 19
no date
Sugar lift aquatint, open-bite, and scraping on wove paper
96.206
Proof of first state of 10
Brice Marden
Proof of first state of 10
no date
Sugar lift aquatint, open-bite and scraping
96.205
Proof of first state of 24
Brice Marden
Proof of first state of 24
no date
Sugar lift aquatint, open-bite and scraping
96.209
Proof of first state of 23
Brice Marden
Proof of first state of 23
no date
Sugar lift aquatint, open-bite and scraping
96.208
Proof of first state of 3
Brice Marden
Proof of first state of 3
no date
Sugar lift aquatint, open-bite and scraping
96.204
21
Brice Marden
21
1986
Sugar lift aquatint, etching, and scraping on wove paper, artist's proof II/X, state II/II
96.29.21
Reconciling Attitudes #5
Suzanne Manns
Reconciling Attitudes #5
1992
Sugar lift aquatint with open-bite, scraping, and burnishing, solvent transfer, and pastel, on wove paper printed relief in yellow
93.162
4
Brice Marden
4
1986
Sugar lift aquatint with scraping and etching on wove paper, artist's proof II/X, state I/I
96.29.4
taken from http://www.ulae.com/martinpuryear/MartinPuryear_2016_UntitledState1.aspx
Martin Puryear
Untitled (State 1)
2016
Drypoint, etching, soft ground etching, sugar lift, open bite and aquatint in colors on wove paper, bon à tirer of an edition of 29
2017.106
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
Sandro Chia
Proof of first state of black and red plates, with addition of brown tone plate for L'artificio (Artifice)
1981
Aquatint, drypoint, roulette, scraping and open-bite with asphaltum in colors
96.138
22
Brice Marden
22
1986
Sugar lift aquatint, etching, and scraping, artist's proof II/X, state I/I
96.29.22
25
Brice Marden
25
1986
Sugar lift aquatint, etching and scraping, artist's proof II/X, state I/I
96.29.25