Jackson Pollock
Untitled

Untitled

© The Pollock-Krasner Foundation / Artists Rights Society (ARS), New York

Untitled
Untitled
ArtistAmerican, 1912–1956
CultureAmerican
Titles
  • Untitled
  • from a suite of notebook drawings
Datec. 1946–1947
PlaceUnited States
MediumBrown ink
Dimensions8 7/8 × 11 7/8 in. (22.5 × 30.2 cm)
Credit LineMuseum purchase funded by Caroline Wiess Law
Object number96.1752.1
Non exposé

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Description

This untitled drawing is from a suite of nine sketchbook drawings that established Jackson Pollock as one of the great draftsmen of the 20th century. Based on style, the sketchbook dates to about 1946 or 1947, not long before Pollock’s breakthrough into the dripped-and-poured style of his mature period.


Pollock did not possess a natural ability for representational drawing, but these images, created after Old Master paintings, reveal a brilliant grasp of compositional analysis. Collectively, they are a summation of Pollock’s early influences, especially Pablo Picasso, Joan Miró, and the Surrealists. A visual declaration of independence, they reveal how Pollock not only absorbed the styles of these early European modernists but also forged ahead to create his own pictorial vocabulary.


A Suite of Notebook Drawings introduces a new type of draftsmanship emphasizing the immediacy of the artist’s gesture, a fundamental component of Pollock’s aesthetic. As Pollock never made preparatory drawings for his paintings, these images stand as independent works and are often referred to by their catalogue raisonné numbers. Here, "O'Connor-Thaw" is a reference to Francis Valentine O’Connor and Eugene Victor Thaw, who wrote the catalogue raisonné—the comprehensive catalogue of paintings, drawings, and other works—of Pollock’s career. The energy with which these drawings pulsate also signals a new era in art history as the center of the art world shifted from Paris to New York City.


ProvenanceArtist; to the Artist’s Estate, as of 1956; Lee Krasner, New York; [Jason McCoy, Inc., New York] as of 1992; to the MFAH, 1996-1997.
Exhibition History"An American Master: Jackson Pollock, Paintings, Drawings & Prints 1930-1951," Ueno Royal Air Museum, Tokyo, June 17–June 25, 1994; Hakone Open-Air Museum, Tokyo, July 13– August 14, 1994.

"Jackson Pollock: Blue Poles," National Gallery of Australia, Canberra, October 4, 2002–January 27, 2003.

"Jorn & Pollock, Revolutionary Roads," Louisiana Museum of Modern Art, Humblebaek, Denmark, November 16, 2013–February 23, 2014.
Inscriptions, Signatures and Marks
Inscription: In black ink, upper right corner "1."
The work is not signed or dated.
Catalogue raisonnéO'Connor-Thaw 770

Cataloguing data may change with further research.

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Untitled
Jackson Pollock
c. 1946–1947
Ink on wove paper
96.1752.2
Untitled
Jackson Pollock
c. 1946–1947
Brown ink
96.1752.4
Untitled
Jackson Pollock
c. 1946–1947
India ink
96.1752.7
Untitled
Jackson Pollock
c. 1946–1947
Brown ink and india ink on brown cardboard cover of a sketchbook
96.1752.9
Untitled
Jackson Pollock
c. 1946–1947
Brown ink
96.1752.5
Untitled
Jackson Pollock
c. 1946–1947
Brown ink
96.1752.3
Untitled
Jackson Pollock
c. 1946–1947
India ink
96.1752.8
Untitled
Jackson Pollock
c. 1946–1947
India ink with touches of brown and gray ink
96.1752.6
Wagon Crossing Tracks: The Hat
Jackson Pollock
1934–1938
Gouache and ink on wove paper
2000.316
Untitled
Jackson Pollock
c. 1943
Pen and black ink on laid paper
96.1755
Untitled [O'Connor-Thaw 390]
Jackson Pollock
c. 1934–1938
Crayon, graphite, and ink on bristol board
96.1760
Untitled (Psychoanalytic Drawing #58)
Jackson Pollock
c. 1939–1940
Colored pencil on wove paper
90.418