Armchair

CultureAmerican
Titles
  • Armchair
  • One of a Pair in a Partial Parlor Set
Datec. 1850–1860
Made inNew York, New York, United States
MediumRosewood and rosewood veneer; ash and mahogany
Dimensions49 × 25 1/2 × 29 1/2 in. (124.5 × 64.8 × 74.9 cm)
Credit LineThe Bayou Bend Collection, gift of Miss Ima Hogg
Object numberB.71.35.1
Non exposé

Explore Further

Department
Bayou Bend
Object Type
Description

Originally part of a larger set with an additional small sofa and two more side chairs, these laminated and carved pieces represent the production of a fine New York workshop, one other than that of John Henry Belter. While the design of meandering, leafy vine and grapes is not unlike that seen in the work of Belter, the overall lightness gives it a very different feeling from the Germanic quality of Belter’s work, suggesting that what we see here is perhaps French-inspired. The round seat of the armchairs and side chairs also distinguish these examples from documented work of Belter. Distinctive features of the Bayou Bend set include the bird’s nest with flanking birds carved on the crest of the sofa and the scalelike ornament on the front legs of all the pieces.

Technical notes: Rosewood, rosewood veneer; ash, mahogany (right front corner block of armchair B.71.35.1).

Related examples: An identical sofa and side chair are in the Smithsonian Institution, Washington, D.C. (acc. no. 47–864); a small sofa is in the collection of the Saint Louis Art Museum (Springer 1980, p. 35; Springer 1982, p. 1193); another parlor set is in a private Tennessee collection.

Book excerpt: David B. Warren, Michael K. Brown, Elizabeth Ann Coleman, and Emily Ballew Neff. American Decorative Arts and Paintings in the Bayou Bend Collection. Houston: Princeton Univ. Press, 1998.


ProvenanceCharles Brackett (1892–1969), Providence, Rhode Island [1]; Corliss-Brackett House, Providence, Brown University; purchased through [Nino Scotti, Associated Appraisers, Inc., Providence], as agent for Miss Ima Hogg, 1970; given to MFAH, 1971.



[1] The set was part of the furnishings of the George Corliss House in Providence, which had been left to Brown University. The set was owned by Charles Brackett and was apparently placed in the Corliss house when Brackett redecorated it in the Rococo Revival style in the 1920s.
Inscriptions, Signatures and Marks
[no inscriptions]
[no marks]

Cataloguing data may change with further research.

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scan from file photograph
c. 1850–1860
Rosewood and rosewood veneer; ash
B.71.35.2
Armchair
John Henry Belter
1855
Rosewood and rosewood veneer; ash and black walnut
B.81.9.3
Armchair
John Henry Belter
1855
Rosewood and rosewood veneer; ash and black walnut
B.81.9.4
Armchair
c. 1850–1860
Rosewood and rosewood veneer; ash
B.82.5.2
Armchair
c. 1850–1860
Rosewood and rosewood veneer; ash
B.82.5.1
Side Chair
c. 1850–1860
Rosewood and rosewood veneer; ash
B.82.5.3
Sofa
c. 1850–1860
Rosewood and rosewood veneer; ash
B.71.34
scan from file photograph
c. 1850–1860
Rosewood and rosewood veneer; ash
B.71.37
scan from file photograph
c. 1850–1860
Rosewood and rosewood veneer; ash
B.71.36.2
Side Chair
c. 1850–1860
Rosewood and rosewood veneer; ash
B.71.36.1
Center Table
c. 1850–1860
Rosewood and rosewood veneer; ash and marble
B.70.42
Étagerè
John Henry Belter
c. 1850–1860
Rosewood and rosewood veneer; ash, marble, and mirror glass
B.71.41