- The Adoration of the Christ Child
Frame: 66 1/2 diameter × 3 3/4 in. (168.9 × 9.5 cm)
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At once narrative and symbolic, this elegant painting by Sandro Botticelli expands the conventional theme of the Adoration of the Christ Child. In the central scene, the gracefully arched bodies of Mary and Joseph echo the contours of the round picture format.
The Virgin Mary kneels in veneration before the Christ Child, while Joseph sleeps. The infant lies stiffly on Mary’s cloak, parallel to the picture plane and presented to the devout viewer for adoration. Two shepherds at right approach to offer Christ a sacrificial lamb, and the Holy Family's subsequent Flight into Egypt is depicted in the background at left.
Botticelli oversaw an active workshop, producing hundreds of paintings—especially devotional images of the Virgin and Child—over the course of his career. Very few of Botticelli's paintings are signed or dated, and it is often difficult to determine his authorship. Some scholars attribute this work entirely to Botticelli, but it may have been executed in part by his assistants.
ProvenanceQuincy A. Shaw, Boston; [Duveen Brothers, New York, c. 1922–42]; Norton Simon Art Foundation, Pasadena, California; purchased by the Sarah Campbell Blaffer Foundation, 1974.
Exhibition History"Sacred Treasures: Early Italian Paintings from Southern Collections," Georgia Museum of Art, Athens, October 12, 2002–January 5, 2003; Birmingham Museum of Art, Alabama, January 26–April 2003; John and Mable Ringling Museum of Art, Sarasota, Florida, April–July 2003.
"Botticelli: Likeness, Myth, Devotion, " Städel Museum, Frankfurt, November 13, 2009–February 28, 2010.
Inscriptions, Signatures and Marks
verso printed label [partially torn]: ES COUNTY MUSEUM OF ART / Los Angeles, California / .69.60.19 / Cosimo, Piero di (Ital., 1462-c.1521) / ADORATION WITH ST> JOSEPH / Oil on panel (circular) / Norton Simon, Inc. Museum of Art / 471/2" diameter
Cataloguing data may change with further research.
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