Lucas Cranach the Elder
The Suicide of Lucretia

CultureGerman
Titles
  • The Suicide of Lucretia
Date1529
PlaceGermany
MediumOil on panel
DimensionsPanel: 29 1/2 × 21 1/4 in. (74.9 × 54 cm)
Credit LineSarah Campbell Blaffer Foundation, Houston
Object numberBF.1979.2
Current Location
The Audrey Jones Beck Building
217 Blaffer Galleries
Exposé

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Object Type
Description

The story of Lucretia is part of the legendary history of early Rome. Lucas Cranach's sensual rendering of her in this painting underscores a Northern Renaissance visual tradition of the dual role of women as both temptresses and morally upright beings. Cranach was an enormously successful artist who worked for the Saxon princes and courtiers in Wittenberg, Germany. Particularly popular were his paintings that featured nude women in subjects from Roman mythology and classical history.


The Suicide of Lucretia depicts the virtuous wife of a Roman nobleman. The morning after she was raped by the king's son, she told her father and husband what had happened, and then she fatally stabbed herself.


Her suicide enraged the people of Rome, who expelled the ruling family, laying the foundation for the establishment of a republic. Cranach and his workshop painted dozens of versions of Lucretia's story. This painting is believed to be one of the primary versions, because—unlike many of the others—inscribed on the ledge behind the figure of Lucretia is Cranach's monogram, and, most unusual, the date of the painting's execution.


ProvenanceFred Richards Leyland, Woolton Hall, Liverpool, England, 1892; private collection, France; [Gallery Rosenberg & Stiebel, New York] [1]; Winston Frederick Churchill Guest, New York, 1960; [Spencer A. Samuels and Company, New York]; purchased by Sarah Campbell Blaffer, who gave it to the University of Houston, 1968; purchased by the Sarah Campbell Blaffer Foundation, 1979.

[1] According to a letter (in the Dieter Koepplin Archive) from Saemy Rosenberg to his brother and Cranach scholar Jakob Rosenberg—dated May 17, 1957—Rosenberg & Stiebel acquired the painting from a French private collection.

Exhibition History“Masterpieces of European Painting from the 14th to 20th Centuries from The Museum of Fine Arts, Houston, and the Sarah Campbell Blaffer Foundation," The Museum of Art, Ehime, Matsuyama, Japan, April 13–May 30, 1999; Chiba Prefectural Art Museum, Japan, June 5–July 11, 1999; Mie Prefectural Art Museum, Tsu, Japan, July 17– August 22, 1999; Fukuoka Art Museum, Japan, August 27–October 3, 1999.

"Fashioning Women in Northern Renaissance Art," Herbert F. Johnson Museum of Art, Ithaca, New York, April 9–August 15, 2005.

"Lucas Cranach the Elder. A Renaissance Master and his Legacy," National Museum of Western Art, Tokyo, October 15, 2016–January 15, 2017; National Museum, Osaka, Japan, January 28, 2017–April 16, 2017.
Inscriptions, Signatures and Marks
Signed with artist’s insignia (winged serpent mark) and dated 1529 on the window ledge

Cataloguing data may change with further research.

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