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Untitled

© Julian Schnabel / Artists Rights Society (ARS), New York

Untitled
Untitled
CultureAmerican
Titles
  • Untitled
Date1985
MediumInk and brush on paper [recto]; Crayon on paper [verso]
DimensionsSheet: 11 7/8 × 9 in. (30.2 × 22.9 cm)
Credit LineGift of Alex and Ada Katz in honor of the founding of the Department of Prints and Drawings at the Museum of Fine Arts, Houston
Object number91.300
Non exposé

Explore Further

Provenance Research Ongoing Exhibition History"The Artist Portrayed," Museum of Fine Arts, Houston, August 14–November 5, 1995.

Inscriptions, Signatures and Marks
Signed in pencil in lower right corner of sheet recto.

Cataloguing data may change with further research.

If you have questions about this work of art or the MFAH Online Collection please contact us.

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Julian Schnabel
January 1976
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Théodore Géricault
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as framed for exhibition
Julian Schnabel
1976
Graphite and photographic collage on paper
2006.190
Pont Cyslltau, Denbighshire [recto]; Mountainous landscape [verso]
Thomas Tudor
19th century
Black chalk and watercolor on wove paper (recto); black chalk on wove paper (verso)
2024.278.A,.B
Woodman’s Cottage, Bagley Wood [recto]; Study of Young Oak Trees (Bagley Wood) [verso]
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
Compositional Study
William M. McVey
1927
Watercolor on wove paper [recto]; graphite with watercolor [verso]
29.1
Untitled
John French Sloan
April 11, 1908
Brush and ink, crayon, heightened with gray and white on paper board
50.14
Sin título
Rafael Barradas
early 20th century
Recto: Graphite and watercolor on wove paper Verso: Graphite on wove paper
2016.98
Untitled (Two Women Sewing)
John French Sloan
April 11, 1908
Brush and wash, pencil, crayon, heightened with white on paper board
50.15
[Working proof, second of two states]
Eric Fischl
no date
Sugar lift aquatint and soft ground etching in colors with scraping, figure partially cut out [recto]; Crayon drawing [verso]
96.152
[Working proof, second of two states]
Eric Fischl
no date
Sugar lift aquatint and soft ground etching with scraping; figure partially cut out [recto]; Crayon [verso]
96.151
Overall recto, closed.
Tom Hück
2018–2022
Woodcut, printed recto and verso on four sheets of Japanese Paper using Tom Hück's Outlaw Black Relief Ink by Gamblin and an overleaf printed on black paper with white ink; the three leaves of the triptych connected with printed stickers; edition 19/30
2023.219.A-.C
Julian Schnabel