Artist
James Ward(British, 1769–1859)British, 1769–1859
CultureBritish
Titles
- Landscape at Sunset [recto]; Study of a Pig [verso]
Datec. 1820
MediumWatercolor on two sheets of wove paper, mounted to thick wove paper
DimensionsSheet: 4 1/2 × 14 1/16 in. (11.5 × 35.7 cm)
Artist's Wash Mount: 6 3/8 × 15 7/8 in. (16.2 × 40.3 cm)
Artist's Wash Mount: 6 3/8 × 15 7/8 in. (16.2 × 40.3 cm)
Credit LineThe Stuart Collection, museum purchase funded by Francita Stuart Koelsch Ulmer in memory of Beechie Chew Hutcheson Kampmann
Object number2024.17
Non exposé
Explore Further
Department
Prints and DrawingsSpecial Collections
Object Type
Exhibition HistoryFortieth Exhibition of Early English Water-colours and Drawings, The Fine Art Society, London, 1960, cat. 56.
Inscriptions, Signatures and Marks
Recto: Signed in brown ink, bottom left corner: j WD. RA
Recto: Inscribed in graphite, lower center: Ocre / B[illegible] [cursive]
Verso: Inscribed on back: [illegible] French paper [cursive]
Verso: [inaccessible]
Recto [mat]: Inscribed in black ink, center bottom edge of window mat: 1769 JAMES WARD R.A. 1859
Recto: Inscribed in graphite, lower center: Ocre / B[illegible] [cursive]
Verso: Inscribed on back: [illegible] French paper [cursive]
Verso: [inaccessible]
Recto [mat]: Inscribed in black ink, center bottom edge of window mat: 1769 JAMES WARD R.A. 1859
Recto: Signed in brown ink, bottom left corner: j WD. RA
James Ward late in life went through his drawings and marked them with this form of his signature that uses the letters “RA” to make an anagram of “J. Ward”
James Ward late in life went through his drawings and marked them with this form of his signature that uses the letters “RA” to make an anagram of “J. Ward”
Verso [mount]: Stamp in black ink, bottom left corner
Recto [inside mat]: Label in printed ink and pen, bottom right corner: The Fine Art Society, Ltd.
Recto [inside mat]: Label in printed ink and pen, bottom right corner: The Fine Art Society, Ltd.
Catalogue raisonnéNone
View this object in The Stuart Collection
Cataloguing data may change with further research.
If you have questions about this work of art or the MFAH Online Collection please contact us.
Thomas Tudor
19th century
Black chalk and watercolor on wove paper (recto); black chalk on wove paper (verso)
2024.278.A,.B
Carl Palazzolo
2021
Gesso, ink, graphite, colored pencil, metallic paint, fluorescing yellow acrylic paint, pressure-sensitive tape on two joined sheets of white wove watercolor paper with optical brighteners, and Yellow Post-It Note
2023.221
Dennis Oppenheim
2010
Graphite, colored pencil, oil wash, oil pastel, spray paint on two sheets of wove paper
2012.574
Dennis Oppenheim
2010
Graphite, colored pencil, oil wash, oil pastel, spray paint on two sheets of wove paper
2012.573
Dennis Oppenheim
2010
Graphite, colored pencil, oil wash, oil pastel, spray paint on two sheets of wove paper
2012.572
Frank Lobdell
1966
Lithograph in colors on two sheets of taped wove paper, edition 13/20
2014.919.28
R. B. Kitaj
1963
Screenprint in colors on two sheets of wove paper, artist's proof (1 of 10) aside from the edition of 70
2022.365
William Turner of Oxford
c. 1830
Watercolor, gouache, and graphite on blue wove paper (recto); graphite with white gouache on blue wove paper (verso) in a washline mount
2024.16.A,.B
George Robertson
c. 1805
Watercolor, ink, ink wash, graphite and black chalk on forty-six sheets of wove paper
2024.546
Kenji Nakahashi
c. 1980
Graphite and colored pencil on two sheets of tracing paper
2019.155.A,.B
Richard Cosway
c. 1815
Pen and brown ink, gray and brown wash, and graphite on two sheets of laid paper
2018.166